Scribble Town (ST): From a distance what looks like a beautiful volcano of color and texture turns out to be an ingenious technique of rolled paper and paint. Amy Eisenfeld Genser has mastered the art of creating an organic effect by using mixed-media. Amy is also a mom of three sons from West Hartford, CT.  She says, “I’m a tad obsessed with paper and paint, color, patterns, and texture.”  You’ll soon see why!

Let’s start with, what does a day look like for you?

Amy Eisenfeld Genser (AEG): I am usually in my studio, on the third floor of my home. I work about five hours a day while my kids are in school. It is a juggling act. My typical day is to get the kids off to school, hit the gym for an hour, and then come home to work. Because my studio is in my home, it’s sometimes hard not to get “mess-tracted” as I call it (starting to do laundry, clean dishes, etc…) but having the studio on another floor helps. Going up the stairs is like crossing a threshold. I also listen to books on tape while I work. Time flies when I’m working on a piece and into a great story, but when I see the bus coming down my street at 3:45, my work day is over.

ST: I’ve never heard that term “mess-tracted” before, but I like it because I can completely relate to you! When you do get to your work, how would you define your art?  It seems to be a peaceful combination of craft and fine art.  I have never seen anything like it before.

AEG: I refer to it as mixed-media. I’ve been able to live in both the fine art and craft worlds. It’s nice to be welcome in both places.

ST: I can see how your artworks really settled nicely in the two worlds too. How did you discover this artistic process of paper quilling?  Was there somebody that encouraged you?

AEG: Technically, my process is not quilling – I will outline my process below. I first started experimenting with paper during a papermaking class while studying for my MFA in Graphic Design at RISD (Road Island School of Design). My professor Jan Baker encouraged us to test the limits of what paper can be.

River Run by Amy Genser

ST: Where do you find yourself feeling really inspired to create? On your website (About page) you mention, “The sources of my work are textures, patterns, and grids. I look for forms that can be repeated to create a pattern when they are joined.”  Please expand on that and if you have a story we’d love to hear it!

AEG: Most of my inspiration comes from nature because it is perfectly imperfect. I love all kinds of organic processes. They are visually intriguing and engaging. We spend a lot of our summers on the beach in Rhode Island. I love watching the water, the rocks, and the light. Our beach has rocks with these really neat barnacles and seaweed. Their colors are always changing. Sometimes there’s a lot of it, and sometimes just a little. It’s neat to watch the progression. One day when the seaweed was purple, brown, yellow and green, my husband made the awesome observation that nature never clashes. I love that.

Mineral Violet by Amy Eisenfeld Genser

In reference to my latest “mineral series”, I have always been drawn to gem-like colors. My mother is a jeweler who works with a lot of gemstones. I’ve grown up peering into tourmalines, garnet,diamonds, opals, citrine, etc. We always talk about how juicy and “lickable” the colors are. I have recently been looking at a lot of agate and geodes. The colors are simultaneously vibrant and translucent. Pretty amazing. I thought I’d take a stab at my own interpretation of them.

ST: So how do you turn your paper to look like gems, minerals, and other elements of life? What is the process?

AEG: Using Thai Unryu, I treat the paper almost as a pigment, layering colors one on top of the other to create different colors. My pieces are about a foot wide. Then I roll one layer on top of the other in all different thicknesses. I seal the roll with acid-free, archival glue stick, and then cut the long piece into sections with scissors or pruning shears. I have pruning shears of all different sizes to accommodate different widths.

ST: Wow! What a laboratory of processes! What forms of art do you include in your mixed-media paintings? What are some tools you like to use?

AEG: The actual rolling and cutting process is pretty quick. At this point I could pretty much do it in my sleep. It’s the composition/editing process that usually takes the longest. I paint my surface, either canvas or paper first, with acrylic and a lot of gel medium. Then I place my paper pieces on top and manipulate them until I have a satisfactory composition. It’s like putting a puzzle together, only I don’t know the final picture until I see it. I roll my pieces accordingly as I develop and build the piece. It’s a back-and-forth process. The paper and the piece lay on different tables in my studio. I attach the paper onto the canvas with PVA once I have the pieces where I want them.

Tall Tower by Amy Eisenfeld Genser

ST: Is there a song that moves you at the moment?  Perhaps you can place a song with one of your works.

AEG: I can place a piece with a book on tape – one of my favorite- Prince of Tides” by Pat Conroy. I usually listen to books on tape while I work. My head is usually in the story, and my hands are free to do what they need to do.

ST: The titles of your pieces are very revealing and help the viewer guide how they can look your work.  How do you come up with these titles?

AEG: Usually it had to do with the inspiration for the piece. I just look at the work and figure out a title. They always feel a little uncomfortable and arbitrary to me. It’s hard for me to give words to something that is visual.

ST: Amy, what’s a piece of advice you can give our Scribblers?

AEG: Have fun! Do what feels good. Keep your hands busy and the work will follow along. There’s nothing like getting rid of creative energy through using your hands. I was that kid who was always weaving potholders on the plastic loom and making complicated patterns in woven friendship bracelets.

ST: Thanks Amy for sharing so much with us! Amy has shared an activity for us to get started on our own artwork.  Check out Scribble Shop for more details:
http://www.scribbleshop.com/content/roll-it-your-wonder-amy-eisenfeld-genser

Portrait of Amy Eisenfeld Genser

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Irra Verbitsky is an award winning artist, animator and independent filmmaker living and working in NYC.  She has so many talents and accomplishments that it is hard to name them all!  She was also my storyboard teacher at the School of Visual Arts where she still teaches in the animation department.

"Viking Voyage" by Irra Verbitsky

Currently, Irra is the President and Creative Director at Polestar Animation.  She is involved in many things such as designing storyboards, background designs and animation.  Her independent animated films have been screened internationally and at the Whitney Museum of American Art and the Museum of Modern Art in New York City as well as at festivals here in the U.S.A. and abroad.

Original Storyboard for "Owen"

Irra has directed and animated children’s films for Scholastic.   On the animation “Owen” (1995) Irra was
background painter and color animator while Sara Jessica Parker narrated the animation.

Irra is a very accomplished storyboard artist.  As a storyboard artist she sketches the stories, so that the scenes in the movies or animations can be visualized.  Here you can get an idea of how she sketches out her storyboards to create her award winning ‘Owen’.

I wasn’t the only one who thought ‘Owen’ was a great animation!  Others thought it was such a talented piece of art that ‘Owen’ won the prestigious Carnegie Medal for Best Children’s Film of the Year and an ASIFA EAST Award!  Those are two biggies

So far Irra has created over one hundred one minute spots for Sesame Street.

Do you recognize any of these animation stills?  Here’s one from the animation titled ‘The Story of Princess Twelvia’ and another one titled ‘Moving’.  From the picture below, where do you think Princess Twelvia is going?  How many steps are there on the staircase?  Hmm…maybe there’s a connection!

Sesame Street's 'Twelvia' Original Production Cel & Background by Irra Verbitsky

Sesame Street's "Moving" Original Production Cel & Background by Irra Verbitsky

The Last Unicorn movie poster

Irra provided the design work on the title sequence well as the story boards for the feature film, ‘The Last Unicorn’.  The animation is an adaptation from the American author Peter S. Beagle’s class tale ‘The Last Unicorn,’ which was written in 1968.

“The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.” – Peter S. Beagle ‘The Last Unicorn’

From that short paragraph of the book’s prose-poetry you can get an idea of how the story is very tender and beautiful.  In the movie the unicorn is told by a butterfly that she is supposedly the last of her kind because all the others have been herded away by the Red Bull.  With that in mind, the unicorn sets out to discover the truth behind the butterfly’s words.  On her quest, the unicorn is eventually accompanied by Schmendrick, a trying magician, and Molly Grue, a woman who has dreamed all her life to see a unicorn. Their journey leads them further and further away from home. They travel so far, all the way to the castle of King Haggard.

Irra Verbitsky shares her talent as an animation teacher at the School of Visual Arts in New York City.  Her excitement for the arts shines through her teaching and encourages her students to be as playful and thoughtful when creating moving pictures!

Flashbacks From My Past: "Departure" by Irra Verbitsky

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Scribble Town (ST): Hi Elisa! I can’t wait to show everybody your artwork that is based on videogames!  But first can you please let us know a bit about yourself.

Okamiden by Elisa Di Fiore

Elisa Di Fiore (EDF): My name is Elisa and I’m originally from Italy. I moved to the US in 2006, then recently moved back to Europe. I live in Finland now, but I’m always visiting new places. I can do this because I work from home –I work in videogame localization, translating games from English into Italian.

ST: When did you start getting into the game industry and how has that made an impact on your knits?

EDF: I’ve always liked videogames, but being a child in Italy I was supposed to play with dolls. My grandma wanted me to be a “proper” young lady, so she tought me to cross-stitch when I was about ten years old. I loved it, but I eventually grew tired of stitching endless flowers and kittens, which were the only patterns I could find at the time. A few years ago, when I was already working in the videogame industry, I had the brilliant idea of cross-stitching Super Mario characters from the old 8-bit games. After all, pixels look a lot like stitches, right? Well, the result was amazing and I haven’t stopped since.

Baby Peach Bib by Elisa Di Fiore

ST:  I bet you were always really talented when it comes to working with your hands!  Is there a certain place you like to be in when you are creating?

EDF: Home is the best place, of course, especially when it’s snowing outside and I can cozy up with a cup of tea and Doctor Who on TV. But I also enjoy meeting up with fellow knitters at one of the quaint cafés here in Helsinki –there’s an entire community of Americans knitting all over the city!

ST: What other forms of art do you practice?  What are your favorite tools you use to create?

EDF: I started knitting a couple of years ago and I’m enjoying it immensely here in Finland, where I can actually wear what I make. Before, when I lived in California, it was too warm to wear any wool! I also like sewing, quilting and perler beading, but really the best thing for me is just using my needle and embroidery floss anywhere I am. They’re practical and don’t take up any space.

ST: It does make a difference when you can use the art you make! That’s one motivation to create.  Are there any others?

Mario Bookmark by Elisa Di Fiore

EDF: I’m an active member of an online community called SpriteStitch.com. There’s a blog with inspiring craft ideas and a forum where we share patterns, tips and accomplishments. We also collaborate every year to put together a videogame-themed quilt that gets auctioned to fund Child’s Play, a charity that helps kids in hospitals all over the world.

I’ve included a simple cross-stitch pattern I designed some time ago, based on the cat Jiji from the animated movie Kiki’s Delivery Service. It should be easy enough to try for any wannabe cross-stitcher!

ST: Thanks Elisa!  From games to knits you really know how to make things come alive.  Already you have given so many pieces of inspiration- from bookmarks to bibs, anything is possible! For more information on Elisa’s Jiji cross-stitch pattern please go to

Mario Sampler by Elisa Di Fiore

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Scribble Town (ST): Pedro Mena, a person of multiple trades and interests, is here with us in Scribble Town!  Pedro is an artist, teacher and a first time dad. He likes NY Pizza, Spanish Soccer, and the History of Rock and Roll!  Pedro, where are you and what are you up to these days?

Squeegees of Spain by Pedro Mena

Pedro Mena (PM): San Francisco Bay Area. Off on Paternity Leave! Returning to teaching visual art shortly. Donated a piece for the upcoming annual HAPS (Haight Ashbury Psychological Services) Art Auction Benefit.

ST: Congratulations on your new baby! Having a new family member will put a special spin on things How has your art practice changed over time and does being an art teacher (and for the future- being a father) have an effect on your own art practice?  Please let us know what ages and where you teach.

PM: It has become more specific in addressing necessity. Yes! It has allowed for more patience and flexibility – and a new outlook on seeking and bridging ideas. Middle School, Burke’s, SF.

A peek into Pedro Mena's classroom

ST: From the looks of your classroom you definitely encourage all kinds of artistic practice- from visual to musical!  What do you hope to communicate with your art and with your teaching?  Are there any other artistic mediums you work with to help push your idea along?

PM: Excitement and Engagement. Anything and everything! Music, technology, storytelling…

ST: How old were you when you first started making art and who encouraged you to create?

PM: I remember the first time getting recognized for my drawing – it was in 1st grade. A classmate asked for a drawing of Spider-Man after seeing mine. I won 3rd place in a community coloring contest later that year. I bought a toy robot of Twiki from the Buck Rogers series with the $10 toy store gift certificate prize. My family encouraged me. I was surrounded with the paintings, drawings, and prints of my grandfather growing up. He encouraged me as well. 

ST: Who are some of your favorite artists and/or authors?

PM: My grandfather, Bolivar Mena Franco, El Greco, Andrea del Castagno, Velasquez, Max Ernst, Rothko, Forrest Bess, Philip Guston,Jack Kirby, Wes Wilson, ’80s Ashley Bickerton, Jonathan Lasker, Steve Dibenedetto (college professor), Lady Pink, Nate 1…too many to name! They’ve all brought static works to life. As for writers, Peter Guralnick can sure bring a biography to life.

Pedro Mena's Rock Benefit Merchandise

ST: I can see how your favorite artists have inspired you.  Your students are very lucky to have such an enthusiastic and caring teacher.  Thank you for sharing with Scribble Town and keep us posted on your upcoming auction and other benefit programs!

To read more about Pedro Meno’s tips on how to make Sticker Art please go to:
http://www.scribbleshop.com/content/sticker-art-pedro-mena 

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Scribble Town (ST): From across the Atlantic and all the up North I’d like you to meet Jaanika Peerna!  Jaanika moves with her art and her art moves her.  In any case, I think you will also feel the excitement and energy that her personality shines and her artwork shows.  Thank you Jaanika for taking the time and being with the Scribblers!

Jaanika Peerna (JP): I am an Estonian-born artist living in New York for many years now. I love to draw, make videos and installations that capture the processes in nature that are hard to see at times, whether it be evaporating mist, movement of wind or slowly changing light.

Maelstrom, pigment pencil drawing on mylar, 36x36", 2011 by Jaanika Peerna

ST: What are you up to these days? Please tell us if there is a particular project you are working on.

JP: I have an exciting project at hand right now: I am preparing for a solo exhibition in a very special location : a castle on a hill overlooking the Hudson River in NY state. I have the liberty to make drawings, video and light installations that specially relate to the location of the show. And here I mean the architectural space of the show and the magnificent surroundings of the castle. For example there is a round room in the castle which is going to have a video projection on the curved wall . And therefore the projected video is going to look like embracing the viewer entering the space. Since the castle is higher up on a hill there is plenty of wind moving around the castle and many of my drawings are going to be traces of air movements. There will be a light installation that relates to the light of dawn in the Hudson Valley as well.

Drawing with Ropes - workshop for families with Jaanika Peerna

ST: Wow! A castle on a hill! You will have to let us know when the show will allow visitors. How has your art practice changed over time?  For example, with medium, concept, etc.

JP: My art practice changes and evolves as I do all the time. Although I have always been interested in working with various media at the same time and I still do. I started out as a painter who also photographed. Then I continued mostly drawing and photographing. The next step was to use digital technology to combine my drawings and photos together. Once working in computers video entered into my work since I was interested in viewing processes in nature slowed down or sped up.  For example I would videotape long footages of ice banks moving on Hudson river which is famous for being the river that flows both ways. The two-way movement is hard to see with the naked eye,  but once I had an hour long footage sped up to be a 20 minute video the various movements of ice occurring on the river were easy to follow and wonder about.

About 4 years ago a new medium entered my palette: working with light, which is an amazingly powerful material itself. It literally draws forms and textures out for us to see at every given moment of our lives. So why not to use it as a main material for making art? I have an installation where I use three strong directed lights programmed to dim and brighten very slowly. By brightening each light creates shadows of strips of paper attached the a wall (http://www.youtube.com/watch?v=sKYYed_SsjQ)

The latest addition is live drawing performances where I collaborate with dancers and musicians where a new drawing is born in front of audience just like here: http://www.youtube.com/watch?v=VelbpQi9be0

Kvelstein Performance by Jaanika Peerna

I am happiest when I can use all different media together in one exhibition. It seems like I have always been interested in subtle and sometimes more rapturous changes in nature but  the media I use to create my work have expanded. Drawing stays at the core of my practice though.

ST: I feel so many different things when I see your artwork.  I wonder what you hope to communicate with your art?

JP: I hope after experiencing my work people would perhaps start looking at nature with more attentiveness and curiosity. I hope to slow down people’s minds and eyes in order to see more and expand ones vision that way. Sometimes it is about the quality of seeing not about the quantity of objects we encounter. Small wonders are around us at every given moment!

ST: Now that I know more about you and your history with art making I’m curious to know about how you found this form for self-expression.  How old were you when you first started making art and who encouraged you to create?

JP: I must have been drawing a lot and with much interest because my parents who are not artists  put me into a special art school from the age of seven. I remember loving the fact that I could create whole worlds by drawing. It seemed so freeing and full of endless possibilities specially in the context of  the Soviet occupation my little country of Estonia was under at the time. Later on when I moved from Estonia to the USA and my English was about 5 % of what it is now, drawing turned out to be one of my survival tools in the new strange country I found myself in. My English could not even get close (and still does not) to expressing what I wanted to say whereas my abstract line drawings seemed to penetrate deep into people’s hearts and minds and cross all political and geographical borders. Once again drawing was freedom and my most innate language for me.

Puff 8 by Jaanika Peerna

ST: Your artwork looks very energetic and active to me.  Can you tell us something about how you get yourself into a creative mindset- where to find that inspiration.  Is there a special place where you like to make your art?

JP: As my work often stems from the processes in nature daily walks and hikes outdoors bring a lot of energy into my work. While outdoors I gather impressions, take photos and videos,  dance with the winds and can watch for light shifting on waterfront for hours. Once in my studio many of those experiences and recordings work into my art. Before I start working on a drawing I often sit in silence for a while as of letting the winds that moved me outdoors to come upon me and then later on move my pencils around on the paper. I almost become a medium for creating the work rather than being fully in charge what the work will end up looking.

ST: Jaanika has shared an art project with Scribble Town called ‘Drawn by Wind’. Please go to  http://www.scribbleshop.com/content/jaanika-peernas-drawn-wind-art-activity.

JP: Keep the element of PLAY in your projects. Play means keeping your activity open ended, experimental and fun for as long as you can. Sure, at some point there is a need to close in and focus yourself in executing a chosen path but until then keep in flowing in unknowing…  There are too many tasks and activities in our lives that are linear and geared towards a specific goal anyway. So take the chance to play whenever possible!

You can see more of my work at my website at www.jaanikapeerna.net and follow my newest projects at https://www.facebook.com/pages/Jaanika-Peerna/31631189862?ref=hl

ST: Thank you Jaanika for all the inspiration you have given us!

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Scribble Town (ST): Let’s move to the New Year with Kristine Marsh’s animations! Thanks Kristine for being with us today!

Kristine Marsh (KM): Hello! I’m a full time illustrator and designer who specializes in creating original artwork for children’s media using a variety of styles. I graduated from the School of Visual Arts in 2010 with a BFA in Cartooning. Afterwards, I started my own business called Knightingale Studio. We are a small design group that does animation, illustration and graphic design work in addition to creating original content. My work has appeared across a range of commercial platforms including books, games and apps. In my down time I enjoy cooking and relaxing with my loving fiancé, Eric and our adorable corgi, Colonel.

Munch Friends by Kristine Marsh

ST: It sounds like you are surrounded by love I can see that in your super cute illustrations and animations. Where are you and what are you up to these days? Is there a particular animation you are working on?

KM: I currently live in NJ and aside from freelance I’m developing two animated series concepts titled, “Samurai Chinchilla” and “What’s for Lunch, Munch?” You can find out more about the first at www.facebook.com/samuraichinchillaseries. I hope to launch a Kickstarter campaign within the next month in order to fund a short animation showcasing the world and characters. Keep in eye out!

Samurai Chinchilla Poster by Kristine Marsh

ST:  There are many things for all of us to look forward to! With all of these current goodies in the works can you tell us how has your art practice changed over time? What kind of animation or art did you start out doing and where has that taken you?

KM: I actually entered SVA as a traditional animation major. It has actually been my dream since the 6th grade to be the creator of an animated television series. When I was really young, I did what most kids do: Draw my favorite characters from my favorite cartoons! I drew Pokemon, Yu-Gi-Oh, Cardcaptors, a lots more (I actually really loved Kids WB!). To this day I still say that I developed a knack for adapting to different styles by do so. Once I got to art school, it really pushed me out of my comfort zone in a lot of ways, but it taught me to experiment with different techniques and forced me to look at elements of design in a new way.

ST: Kristine, you just proved that dreams do come true! That in itself is such an inspiration for us to all just continue with what we have fun doing. Are there any other artistic mediums you work with?

KM: For mediums, I do a lot digitally these days, for the sake of time and efficiency. I use Adobe Illustrator almost exclusively, with a little bit of Photoshop. When I work traditionally I like to experiment and I often mix media, like pen, ink, brush, marker, colored pencil and watercolor.

Pirate by Kristine Marsh

ST: Is there a particular animation technique you like to create with? Does the story follow the technique or vice versa?

KM: My goal with my art is actually quite simple. To me, I see art as a very powerful medium and I always strive to create artwork and stories that makes a positive impact in peoples lives. Hope, Unity and Love are actually the core believes of my studio as well. I believe firmly in the aspect of family and friends, taking care of and giving to those you care about and who need your help. For me, art of course is a form of self-expression, but more important I see it as an opportunity to speak into people’s lives and leave them with something encouraging and I hope that that same perseverance will spill over in the life of another and so on.

ST: We all have mentors, who are some of your favorite artists? If so, how have they inspired you? It’s always nice to be aware of what about their artwork touches you.

KM: Some of my favorite artists and directors include: Makoto Shinkai, Hayao Miyazaki, Bill Presing, Peter McCarty, Anne Pätzke, Sean Galloway, Luigi Lucarelli, Jen Corace, Mary Blair, MEOMI honestly there’s just too many to name! And I discover new favorites online all the time! But the things that always catch my attention: Color, Composition, and Character! I’m a big fan of a really simplistic style, but I’m also a big fan of beautiful line quality and color. These are all things that inspire me and challenge me in my own art as well.

Ashby by Kristine Marsh

ST: I know what you mean when you say there are just too many to name!  It’s the same with crafts and art projects. But out of all of them do you have one craft, piece of art, or art technique you can share with our Scribblers for them to make at home? Perhaps give advice on how our Scribblers can start making their own animation at home.

KM: A quick bit of advice: I love looking at kid’s drawings and hearing them talk so passionately about their ideas. Never let go of that enthusiasm for creating new things! As you get older, it’s easy to get bogged down, you start comparing yourself to others and not everyone may like your ideas. It can easily become more about technique (which is still very important) and less about the concept. But keep plugging forward, learn, absorb and experiment, don’t let go of that boundless creativity! May you stay inspired all your life and always keep drawing by hand!

ST: That’s amazing advice, Kristine!  In short- let’s keep our ears, eyes, and heart always open for the creativity to flow. To learn more about Kristine Marsh please go to www.kristinemarsh.com or email her at Kristine@knightingalestudio.com. Thank you for being with us!

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