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Scribble Artist Interview with Doris Sampson!

Scribble Town (ST): Here with us on the Scribble Blog is Doris Sampson!  Doris is an artist full of energy, stories, creativity, and much much more as you will soon find out.  Doris, where are you and what are you up to these days?

See how I found shoes in this drawing?  Added eyes to create a shy guy asking for a dance.

See how I found shoes in this drawing? Added eyes to create a shy guy asking for a dance.

Doris Sampson (DS): I live in Duluth, Minnesota . . . U.S.A.  This city is located at the western-most tip of Lake Superior, the largest of the Great Lakes.  It’s awesome!  Like living on the shore of an ocean, from our shore we cannot see land on the eastern horizon.  Weather events can rile up some terrible storms, occasionally over even modern decades taking a freighter to the bottom of any one of the Great Lakes.  The Big Lake is also our natural air conditioner.  Because the temperature of the lake is always much cooler than the air, when we get a wind off the lake, Duluth can be significantly cooler as we’re situated in the valley of a big hill alongside the shore.  Over the hill, much warmer!  I like it this way because I’m no fan of hot weather!

DS: My career as an Artist spans 48 years, and I started Photography shortly after that, too.  I’ve put tons of time and money into taking pictures, and since starting digital in 2002, in total over all my years, have tens and tens of thousands of pictures.  Therefore, big chunks of time have gone into organizing those photos and since digital can fix OLD photos, in recent years lots of time has gone into restoring many, many photos from family albums covering  my Finnish-American family heritage and history.  I eventually will produce books about my personal memoir and probable historic photo books.  I’ve also been a writer, starting with journaling at the end of 1977.  I absolutely love writing, and my computer storage now contains working manuscripts for at least a dozen book concepts, with other ideas piling up behind those.  But I need to update my computer equipment soon so I can better format manuscripts, and art/photos into them, too, to prepare them for electronic self-publishing.  I love that option we have now!

The shape looked like a golf club, though wildly abstract!

The shape looked like a golf club, though wildly abstract!

ST: When did you start drawing and painting?

DS: As a child I was already a natural artist.  I believe it was genetic as I’m 100% Finnish lineage–and the Finns are genetically extremely artistic.  I loved doing art as a child, all the way through school to graduation.  Because my family was farmer-laborer, I didn’t go to college for higher education–but was smart enough to have done that if there had been money.  Instead, I never sat back on the learning process as a young adult–in any subject.  But rather quickly did return to art . . . painting . . . about 5 years after graduation.  I had two pre-school daughters by then, and began painting on the kitchen table–of course, needing to clean up scrupulously after each session!  Especially because I’d started with oil paints–eventually switching to acrylics to avoid the fumes and possible other contact-toxins from handling oil paints.  Especially Flake White, which has lead.

ST: Was there somebody that encouraged you?

DS: Yes, there was someone who inspired me as an artist starting from a very young age.  Actually, my mother had painted as a teenager with a friend whose name was Marion.  So it was seeing as a child craft pieces my mother had made so many years before by gluing fall leaves on the then-78rpm records.   And then painting the leaves yellows, oranges, reds.  There were three paintings my mother had done that still exist to today.  So those were always on display in my grandparents’ farmhouse in Northern Minnesota.  My father had also been artistic, and had begun art school when they lived in Detroit–I was born in a suburb, Ferndale, at that time.  But he was drafted into World War II and had to quit art school.  Only one drawing my dad did, of the violin maker, Stradevarius, existed then, and to date.  It’s framed and hanging on a wall in my sister’s apartment here in Duluth.  Neither of my parents  were able to follow art as adults.  My mom was a homemaker and my dad a laborer.  Thank God he returned home from the war with just some back problems from a glider crash.  He was in the Battle of the Bulge in the 101st Airborne Division–a terrible event during WWII.

Here is a scribble drawing that reveals a woman by how I filled in spaces with black ink.

Here is a scribble drawing that reveals a woman by how I filled in spaces with black ink.

Marion, as Mom’s girlhood friend since kindergarten (or maybe it was first grade then–did they have kindergarten so very long ago?) . . . was still her friend as I was growing up, and we’d visit her home in that rural area near my grandparents’ farm on occasion.  Marion had taken up painting during her adult  years, but did extremely few in total that I know of.  One was a stunning portrait of a sister who had passed away, painted ethereally in blues, like the sky, her imagery as of angels.  Riveting to me!  Then, I believe this was after I was an adult with a toddler, as I recall one specific visit with my mom to Marion’s, with my daughter; she showed us another painting more recently done . . . a Moose in a Northern Minnesota swamp, edged with the typical swamp spruce and tamarac forest–a beautiful fall scene that I can see in my mind’s eye still.  Marion was so special to me and I just soaked up her artist-ness into my soul!

This mushroom shape becomes one with some embellishment; not the different pen strokes creating varieties of texture.

This mushroom shape becomes one with some embellishment; not the different pen strokes creating varieties of texture.

My family was always supportive of my love of art and Nature as a child.  I would do Paint-by-Number sets, and, again, I loved art in school.  I would save my artworks and when several aunts and uncles came visiting from Detroit and Florida to Minnesota in the summers, I’d bring out those drawings and paintings to put on an ‘exhibit’ . . . and they’d give me a dollar!  Guess what . . . I still have my best, saved artwork from the first dated to when I was 11 years old, through the 7th, 8th and 9th grades of junior high school!  They can be seen on my website:  dorissampson-lenscanvas.smugmug.com !  For so long I’ve wanted to be an inspiration to children, and here is my first opportunity!

ST: I bet you have been an inspiration to children even when you didn’t mean to be one.  I’m impressed with you range of techniques! You even have collage and modeling pasted paintings.  How did you discover and use this technique?

DS: I don’t remember right now what started the collage/modeling paste paintings.  Since I’ve kept good records throughout my art career, it’s probably written down somewhere for me to find when I can start digging.  But they were fun to do, using materials to build a foundation for a painting; then gessoing that ground (a primer layer); finally painting everything.  Then, give it a wash of diluted burnt umber (brown) acrylic paint mixed in a lot of water and quickly wipe it off again with a soft rag–before it could dry.  Then only a little bit of pigment would remain on the surface of the painting to provide a slight antiquey appearance to it.

ST: How do you handle moments when you get a zoom of inspiration?

DS: Since I do Art, Photography AND Writing, inspiration is more or less a constant on-going thing of which I can never keep up; as much as I would like to.  So Art ideas get noted on paper, some started; Photos are a never ending job in my computer now; and my external hard drive is exploding with accumulated Writing projects, or notes and notes and more notes for those underway, and new project ideas.  What I work on from day to day has no schedule–except to plow into whatever project/s are staring me in the face . . . NOW.

Color can be dropped into a drawing as desired on a computer, for me this was done in Photoshop4.

Color can be dropped into a drawing as desired on a computer, for me this was done in Photoshop4.

ST: What other forms of art do you practice?  What are some tools you like to use to create?

DS: Art, Photgraphy and Writing take up all my work time creativeness.  However, I am a ballroom dancer, and good at it.  Genetic I’m sure as both my parents loved to dance and were great dancers in their early years.  Raising a family, I only saw them dance about three times that I can remember.  I sure wish I could see a movie of the years I was never a conscious part of!  Dance  is a wonderful, beautiful and happy form of Art!

ST: How do you find you models for your pen and ink drawings? There must be hundreds of beautiful portraits!

Here I wanted to make a heart shape with abstractions--a very fast swish, swish, swish with the hand kind of drawing.

Here I wanted to make a heart shape with abstractions–a very fast swish, swish, swish with the hand kind of drawing.

DS: A couple of the people and pet pen and ink drawings you see are ones I did because I wanted to do them for myself.  The rest are commissions from folks who saw my first portrait promotions starting around 2002.  What you see in my website are what I’ve done.  There might be another couple or so not shown, but I can’t remember at this writing.

ST: I’m sure there must be many, but what is one of your favorite songs?

DS: It’s probably better to ask what are my favorite genres of music.  I love Finnish music that depicts my era of growing up–accordian and fiddle bands.  There are two in particular I have tapes or CD’s of; Minnesota bands, “Third Generation” and “The Finn Hall Band”.  Next, whenever I have an opportunity to work in my office AND listen to music at the same time, I’ll put on internet radio with Pandora.com . . . and I’m already keyed in to Classic Country-Bluegrass Gospel songs by historic Nashville voices from yesteryear to current singers who still have the same classic sound.  On Sunday mornings, we have a local radio station, WKLK, that also plays those old gospel songs.  I absolutely love them, and they are my inner Church every time I listen to them; filling me with the Spirit of God!

I also enjoy classical music on occasion; and my everyday favorite genre is the current “Music of Your Life” station that is streamed via many radio stations across America.  Those songs truly depict the best pop songs I’ve heard over my 70 years of lifetime!  So it would be more correct to speak of favorites in each genre–but that would be too big a project to do!

ST: Your art career has taken you on such a journey!

DS: I started my Scribble Drawings, which I now call my “Human Emotional & Thematic Caricatures . . . or Just Pure Art Form”, when I was taking drawing classes at a local university in 1985.

Do you see how you can add human emotion to a drawing than can be transformed into a man by adding teeth, an eye and a hat!?

Do you see how you can add human emotion to a drawing than can be transformed into a man by adding teeth, an eye and a hat!?

University art classes were already far into the “modern” thing . . . be loose, let your mind wander, and finally . . . just scribble and see what happens.  Well, I absolutely LOVED what I did with scribbles, learning immediately that the most important thing to remember is . . . WHEN TO QUIT!  My personal take on it was to use quality pen and ink, and then take a good look at the scribbles to see if or what there was anything recognizable in the shapes.  If so, then I’d start filling in space with my black ink to bring out that ‘something’ . . . or ‘someone’, if it had an abstract human element to it.  Other times the shapes and forms depicted only abstract shapes and forms!  So then I filled spaces in while keeping COMPOSITION in mind; to create Pure Art Form.

I did a large number of them around 1985, and it was the year 2000 when I took it up again.  I was working on a book of poems about the subject of “Love” as a “mystery”.  I wanted to illustrate the book and it occurred to me those 1985 drawings could be termed mysterious.  When I checked them out, I discovered that many of my poems actually matched what some of the drawings seemed to be displaying.  So I included them into my manuscript, and started doing the scribble drawings again here and there until now.  I have about 250 of them now!  These can be seen on my website also:  dorissampson-lenscanvas.smugmug.com.  Find this gallery under ART OF DORIS SAMPSON.

ST: Doris, thank you so much for sharing with us! You have shown us how to look at life, lines, and color in a different way with your creative scribbles!  If you have any tips for parents and adults for how to create with children please let us know.

This drawing shape clearly resembled a pumpkin, so I gave it color and an abstracty kind of face!

This drawing shape clearly resembled a pumpkin, so I gave it color and an abstracty kind of face!

DS: As for tips for parents, EVERY CHILD IS AN ARTIST!  Provide the materials for them, and they will draw and/or paint.  Display the Artworks.  Choose the best from every year’s work and place these into an archival album–learn HOW to preserve art and photos archivally, don’t just glue or tape them in.  There are album stores all over the country now.  There is one online source I’ve been able to get oversize albums from in which to store my Scribble Drawings.  It used to be called Century Plastics . . . don’t know if that’s a current name or not.  These albums were acid-free, as I recall, with 12×18 pages of sturdy paper.  A perfect ground for archiving your children’s artworks.  The best of the best artwork/s–mat and frame them!  I have some from my daughters.  Once, when her dad and I went to a conference night, there were pastel painting pictures hanging all around the room–one by each child in that class.  My eyes flew to one in particular that clearly shouted, “This child IS an Artist inside already!”  It was so good compositionally, and with colors, lines, shapes and forms!  Well . . . it was my daughter’s . . . a chip off the old block, going all the way back to both of her grandparents’ generation, too!

This daughter is now an assistant professor in the Art Department of a University in the State of Missouri!  My other daughter is a Certified Public Accountant; and far on her way, too, of becoming a Nutritionist . . . already, via the internet, she is teaching people how to live and eat NATURALLY.  That was something else our family did–we gardened organically, I canned and froze vegetables and fruits; and by golly, both grew up to follow in those footsteps.  The Artist of my two daughters, and her husband, own an organic farm and apple orchard in Missouri!

ST: You are right, Doris, every child is an artist.  Thank you :)

Ultimately I elaborated on the original (displayed above) by adding red and blue for a patriotic statement, "I Love America!"  This is a wonderful example of how and why I plan to produce a line of products, such as greeting cards, from my drawings!

Ultimately I elaborated on the original (displayed above) by adding red and blue for a patriotic statement, “I Love America!” This is a wonderful example of how and why I plan to produce a line of products, such as greeting cards, from my drawings!

All photos: Copyright Doris Sampson 2013.  Permission for free educational use for children granted.  All Artist Reproduction-Distribution Rights Reserved. Contact Information:  doris.starofthenorth@gmail.com“.  Feedback to Artist is welcome!”

Scribble Artist Interview with Carly Kasner!

Scribble Town (ST): Carly Kasner shows us how animations bring to life more imagination than we could imagine.  It is easy to see in her artwork and her approach to creativity!

Carly Kasner (CK): Hello Scribblers, I come from Long Island and graduated from FIT, May 2012. I am a graphic designer with some essence of illustrator mixed in. From the time I was little till this very day, I have had a special connection with cartoons, which inspires and or impacts my work today.

Anime self portrait of Carly Kasner

Anime self portrait of Carly Kasner

ST: How are you spending your time these days?

CK: I am currently interning at The Jewish Board of Family and Children’s Services in New York City. It is a non-profit organization that provides mental health and social services. I design various flyers, books, and print/e-mail invitations there. In my spare time, I have been recently involved in t-shirt design contests between the websites threadless.com, and welovefine.com.

In addition to that, I occasionally create my own characters for fun. In recent years, I do consider my work to be more digital but I still highly respect the traditional methods as well as the digital I utilized InDesign, Photoshop and Illustrator as my main digital formats I use whatever tool(s) will get the job done in the best way for my idea/client.

Monster's Inc scribble shirt by Carly Kasner

Monster’s Inc scribble shirt by Carly Kasner

ST: Designing t-shirts sounds really fun and it must feel good when you see somebody wearing one of your ideas. When did you start illustrating / scribbling / being creative?  Was there somebody that encouraged you?

CK: The beginning of my creative era was around kindergarten I stumbled into my interest of drawing through the inspiration I got from cartoons and my love for doodling. I used to like to draw dogs. I feel that I was born with a love for drawing.

ST: Your love for dogs is seen in your North Shore Animal League Logo.  I really like how you’ve nested the dog and the cat together.  It’s as if they were hugging each other.  It’s a very clever design!  Where do you find yourself feeling really inspired to create?

North Shore Animal League logo by Carly Kasner

North Shore Animal League logo by Carly Kasner

CK: I think my inspiration can come from different sources and/or artists, but I think my, main root was the endless hours I spent in front of the TV growing up. I was a 90s child and some of my favorite cartoons were Courage the Cowardly Dog, Hey Arnold, the Rugrats, and The Angry Beavers. I was inspired not only by the characters image; I was inspired by the stories that molded the characters personalities. And as I got older, I became inspired by Japanese cartoons and comic books a.k.a. anime and manga.

ST: What other forms of art do you practice?

CK: In high school, I did some ceramics, collages, oil painting, and water colors in recent years, I am still partial to the sketchpad and pencil. I try to use that for my creativity as much as possible and even though I haven’t practiced it much lately I am also fascinated by watercolors.

ST: What is your favorite movie?

CK: My favorite movie is Hayo Miyazaki’s Spirited Away.

ST: I also really liked Miyazaki’s Howl’s Moving Castle.  The story and images are unforgettable!  Carly, please share any tips, advice, or ways of encouraging scribblers.

CK: I struggle sometimes with accepting mistakes but it is important to accept mistakes and to learn from them. Try not to let them discourage you. I try to look at mistakes as boundaries to define what not to do next time. Keep in mind that you can’t get something right unless you get it wrong.

ST: Thanks Carly! That’s great advice!  Making mistakes is a big part of life and making art.  At least we can say we tried :)

Sweet Bots by Carly Kasner

Sweet Bots by Carly Kasner

Expand a picture with your imagination!

Hi!  My name is Arlene Tucker and I am a teacher and artist living in Helsinki, Finland.  Last week I spent the day with The Tigers at Your School Kindergarten (H&S International School).  The Tigers is a group of children aged 5-6 years old.  During circle time, I wanted to share with them how our imagination works and what those images in our head are all about.  Also, I wanted to talk with them about how those pictures, stories, and feelings in our bodies can inspire us to create!

Johannes' image expanded

Johannes’ image expanded

Adrienne Moumin’s suggested art activity in her Scribble Shop Inspiration post gave me the idea to do this with the Tigers.  I think they really enjoyed it!

Johannes really took his time and completed the snowy forest.  I love how he continued the shadows and trees onto his own imagined picture.

For a good half an hour everybody was coloring away and coming up with their own stories from the unique magazine cutout pictures I then glued onto a piece of drawing paper.  In this exercise you can really see where your imagination takes you.  Another fun part was hearing what would happen next!

When Melissa saw this picture of a baby she thought that the baby is wanting something because her arm is reaching out.  Melissa figured that she is hungry so she drew the baby’s mommy holding a baby bottle filled with milk.  How thoughtful and creative Melissa is!

Melissa wants to make the baby happy

Melissa wants to make the baby happy

Anni takes us to space! Over there is Earth, Pluto, Mars, a space rocket and an astronaut venturing into the twilight.  Around every corner (or star) is something new and unexpected and it’s all coming from your imagination!

Anni take us to space!

Anni take us to space!

Try doing this art activity with your kids.  Expanding your image exercise is suitable for all ages too.  You should do one with your child or student too!  You’ll never know what lies behind the borders of the image until you try.

For more information about the project please go to Adrienne’s post Exploring the expansion of your image and imagination.  Thanks Adrienne for the inspiration!

To see all of the Tigers’ pictures you can click here.  Share your pictures with us and we’ll upload them to the set.  Email scribblematspress@yahoo.com for more information.

Scribble Artist Interview with Amy Eisenfeld Genser!

Scribble Town (ST): From a distance what looks like a beautiful volcano of color and texture turns out to be an ingenious technique of rolled paper and paint. Amy Eisenfeld Genser has mastered the art of creating an organic effect by using mixed-media. Amy is also a mom of three sons from West Hartford, CT.  She says, “I’m a tad obsessed with paper and paint, color, patterns, and texture.”  You’ll soon see why!

Let’s start with, what does a day look like for you?

Mineral Long Pink by Amy Genser
Mineral Long Pink by Amy Genser

Amy Eisenfeld Genser (AEG): I am usually in my studio, on the third floor of my home. I work about five hours a day while my kids are in school. It is a juggling act. My typical day is to get the kids off to school, hit the gym for an hour, and then come home to work. Because my studio is in my home, it’s sometimes hard not to get “mess-tracted” as I call it (starting to do laundry, clean dishes, etc…) but having the studio on another floor helps. Going up the stairs is like crossing a threshold. I also listen to books on tape while I work. Time flies when I’m working on a piece and into a great story, but when I see the bus coming down my street at 3:45, my work day is over.

ST: I’ve never heard that term “mess-tracted” before, but I like it because I can completely relate to you! When you do get to your work, how would you define your art?  It seems to be a peaceful combination of craft and fine art.  I have never seen anything like it before.

AEG: I refer to it as mixed-media. I’ve been able to live in both the fine art and craft worlds. It’s nice to be welcome in both places.

ST: I can see how your artworks really settled nicely in the two worlds too. How did you discover this artistic process of paper quilling?  Was there somebody that encouraged you?

AEG: Technically, my process is not quilling – I will outline my process below. I first started experimenting with paper during a papermaking class while studying for my MFA in Graphic Design at RISD (Road Island School of Design). My professor Jan Baker encouraged us to test the limits of what paper can be.

River Run by Amy Genser

River Run by Amy Genser

ST: Where do you find yourself feeling really inspired to create? On your website (About page) you mention, “The sources of my work are textures, patterns, and grids. I look for forms that can be repeated to create a pattern when they are joined.”  Please expand on that and if you have a story we’d love to hear it!

AEG: Most of my inspiration comes from nature because it is perfectly imperfect. I love all kinds of organic processes. They are visually intriguing and engaging. We spend a lot of our summers on the beach in Rhode Island. I love watching the water, the rocks, and the light. Our beach has rocks with these really neat barnacles and seaweed. Their colors are always changing. Sometimes there’s a lot of it, and sometimes just a little. It’s neat to watch the progression. One day when the seaweed was purple, brown, yellow and green, my husband made the awesome observation that nature never clashes. I love that.

Mineral Violet by Amy Eisenfeld Genser

Mineral Violet by Amy Eisenfeld Genser

In reference to my latest “mineral series”, I have always been drawn to gem-like colors. My mother is a jeweler who works with a lot of gemstones. I’ve grown up peering into tourmalines, garnet,diamonds, opals, citrine, etc. We always talk about how juicy and “lickable” the colors are. I have recently been looking at a lot of agate and geodes. The colors are simultaneously vibrant and translucent. Pretty amazing. I thought I’d take a stab at my own interpretation of them.

ST: So how do you turn your paper to look like gems, minerals, and other elements of life? What is the process?

AEG: Using Thai Unryu, I treat the paper almost as a pigment, layering colors one on top of the other to create different colors. My pieces are about a foot wide. Then I roll one layer on top of the other in all different thicknesses. I seal the roll with acid-free, archival glue stick, and then cut the long piece into sections with scissors or pruning shears. I have pruning shears of all different sizes to accommodate different widths.

ST: Wow! What a laboratory of processes! What forms of art do you include in your mixed-media paintings? What are some tools you like to use?

AEG: The actual rolling and cutting process is pretty quick. At this point I could pretty much do it in my sleep. It’s the composition/editing process that usually takes the longest. I paint my surface, either canvas or paper first, with acrylic and a lot of gel medium. Then I place my paper pieces on top and manipulate them until I have a satisfactory composition. It’s like putting a puzzle together, only I don’t know the final picture until I see it. I roll my pieces accordingly as I develop and build the piece. It’s a back-and-forth process. The paper and the piece lay on different tables in my studio. I attach the paper onto the canvas with PVA once I have the pieces where I want them.

Tall Tower by Amy Eisenfeld Genser

Tall Tower by Amy Eisenfeld Genser

ST: Is there a song that moves you at the moment?  Perhaps you can place a song with one of your works.

AEG: I can place a piece with a book on tape – one of my favorite- Prince of Tides” by Pat Conroy. I usually listen to books on tape while I work. My head is usually in the story, and my hands are free to do what they need to do.

ST: The titles of your pieces are very revealing and help the viewer guide how they can look your work.  How do you come up with these titles?

AEG: Usually it had to do with the inspiration for the piece. I just look at the work and figure out a title. They always feel a little uncomfortable and arbitrary to me. It’s hard for me to give words to something that is visual.

ST: Amy, what’s a piece of advice you can give our Scribblers?

AEG: Have fun! Do what feels good. Keep your hands busy and the work will follow along. There’s nothing like getting rid of creative energy through using your hands. I was that kid who was always weaving potholders on the plastic loom and making complicated patterns in woven friendship bracelets.

ST: Thanks Amy for sharing so much with us! Amy has shared an activity for us to get started on our own artwork.  Check out Scribble Shop for more details:
http://www.scribbleshop.com/content/roll-it-your-wonder-amy-eisenfeld-genser

Portrait of Amy Eisenfeld Genser

Portrait of Amy Eisenfeld Genser

Scribble Artist Interview with Sharron Parker!

Scribble Town (ST): When Andi, aka Chief Scribbler, met Sharron Parker at the recent Architectural Digest Home Design Show in New York City she was amazed at how felt could be manipulated in such amazing ways.  We are lucky to have Sharron share with the Scribble Blog about her craft.  Sharron, where are you and what are you up to these days?

Sharron Parker's display at Architectural Digest Home and Design Show NYC 2013

Sharron Parker's display at Architectural Digest Home and Design Show NYC 2013

Sharron Parker (SP): I live and work in Wake Forest, North Carolina, in an old stone mill on the Neuse River. Since the mill was once a textile mill, I feel I am continuing that tradition with my textile studio there.

ST: Not only are you continuing the tradition, but to be surrounded by such beautiful nature explains how your fiberworks resemble your environment.  When did you start creating with felt and what piqued your interest?

SP: After being a weaver and trying other textile techniques, I discovered handmade felt over 30 years ago, when I saw 2500-year-old pieces of felt that had been found in Siberian tombs. I learned that the technique is the oldest way to make cloth, dating to the Stone Age. Basically, you shrink and lock wool fibers by using moisture, heat, and pressure. Nomadic people did things like dragging the wool in a roll behind their horse, but I just press on the wool in hot water in my sink or bathtub.

ST: I’m so interested in your fiber technique! You explain it really well here, but we are eager to learn more.

Step 5 in Wet Felting by Sharron Parker

Step 5 in Wet Felting by Sharron Parker

SP: This is called “wet felting” and is different from “needle felting” where you use barbed needles to tangle fibers – which I do occasionally. I work with dyed, unspun wool or roving since I like to work with color. It’s something like “painting” with wool: I comb and layer several background layers, and then arrange the dyed wool wherever I want, often in thin watercolor-like layers. Lines can be created by using wool yarns, and more texture can be achieved by using wool curls, etc. After making a piece of felt, I can stitch more onto the surface, sew pieces together, etc.

Raku Flight I for Merrimon by Sharron Parker

Raku Flight I for Merrimon by Sharron Parker

ST: On your website you have a picture of yourself and a tiger.  Is that real?!  It’s a beautiful picture and we’d like to know more about it.

Sharron Parker's Tiger friend

Sharron Parker's Tiger friend

SP: The tiger photo in my artist profile was taken when I was a volunteer at a tiger rescue preserve; I had been bottle-feeding a baby tiger for several weeks. Maybe not surprisingly, tiger-like stripes appeared in my work after that (see Madagascar Moth detail).

Madagascar Moth detail by Sharron Parker

Madagascar Moth detail by Sharron Parker

ST: Wow! With such adventures in life you are sure to find inspiration around every corner.  Is there a particular place or environment you find yourself feeling really inspired to create? The categories on your site are Earth, Light, Living Things, and Color.  Perhaps these are a window to your points of inspiration.

SP: Ideas come from lots that I see in the world around me – rocks, shells, bird wings (see Raku Flight), flowers (see Rose Petal Screen), sunsets, and more. And, of course, the river and rapids right outside my windows. The view of trees outside my window, and the river mists behind them, can be seen in the triptych Intertwined.

Sharron Parker's intertwined felt

Sharron Parker's intertwined felt

SP: For those who want to try wet felting, there are a number of books available. Or my specific techniques can be seen on a DVD called Teach + Learn, Volume 2, available through the Surface Design Association. My website “News” also lists workshops I will be teaching.

ST: Thank you Sharron!  Nature in itself is a point of inspiration and your artwork add to the cycle.  To get started with your own felting supplies please go to Scribble Shop.

Rose Petal Screen by Sharron Parker

Rose Petal Screen by Sharron Parker

Scribble Picks Irra Verbitsky!

Irra Verbitsky is an award winning artist, animator and independent filmmaker living and working in NYC.  She has so many talents and accomplishments that it is hard to name them all!  She was also my storyboard teacher at the School of Visual Arts where she still teaches in the animation department.

"Viking Voyage" by Irra Verbitsky

Currently, Irra is the President and Creative Director at Polestar Animation.  She is involved in many things such as designing storyboards, background designs and animation.  Her independent animated films have been screened internationally and at the Whitney Museum of American Art and the Museum of Modern Art in New York City as well as at festivals here in the U.S.A. and abroad.

Original Storyboard for "Owen"

Irra has directed and animated children’s films for Scholastic.   On the animation “Owen” (1995) Irra was
background painter and color animator while Sara Jessica Parker narrated the animation.

Irra is a very accomplished storyboard artist.  As a storyboard artist she sketches the stories, so that the scenes in the movies or animations can be visualized.  Here you can get an idea of how she sketches out her storyboards to create her award winning ‘Owen’.

I wasn’t the only one who thought ‘Owen’ was a great animation!  Others thought it was such a talented piece of art that ‘Owen’ won the prestigious Carnegie Medal for Best Children’s Film of the Year and an ASIFA EAST Award!  Those are two biggies :)

So far Irra has created over one hundred one minute spots for Sesame Street.

Do you recognize any of these animation stills?  Here’s one from the animation titled ‘The Story of Princess Twelvia’ and another one titled ‘Moving’.  From the picture below, where do you think Princess Twelvia is going?  How many steps are there on the staircase?  Hmm…maybe there’s a connection!

Sesame Street's 'Twelvia' Original Production Cel & Background by Irra Verbitsky

Sesame Street's 'Twelvia' Original Production Cel & Background by Irra Verbitsky

Sesame Street's "Moving" Original Production Cel & Background by Irra Verbitsky

Sesame Street's "Moving" Original Production Cel & Background by Irra Verbitsky

 

The Last Unicorn movie poster

The Last Unicorn movie poster

Irra provided the design work on the title sequence well as the story boards for the feature film, ‘The Last Unicorn’.  The animation is an adaptation from the American author Peter S. Beagle’s class tale ‘The Last Unicorn,’ which was written in 1968.

“The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.” – Peter S. Beagle ‘The Last Unicorn’

From that short paragraph of the book’s prose-poetry you can get an idea of how the story is very tender and beautiful.  In the movie the unicorn is told by a butterfly that she is supposedly the last of her kind because all the others have been herded away by the Red Bull.  With that in mind, the unicorn sets out to discover the truth behind the butterfly’s words.  On her quest, the unicorn is eventually accompanied by Schmendrick, a trying magician, and Molly Grue, a woman who has dreamed all her life to see a unicorn. Their journey leads them further and further away from home. They travel so far, all the way to the castle of King Haggard.

Irra Verbitsky shares her talent as an animation teacher at the School of Visual Arts in New York City.  Her excitement for the arts shines through her teaching and encourages her students to be as playful and thoughtful when creating moving pictures!

Flashbacks From My Past: "Departure" by Irra Verbitsky

Scribble Artist Interview with Elisa Di Fiore!

Scribble Town (ST): Hi Elisa! I can’t wait to show everybody your artwork that is based on videogames!  But first can you please let us know a bit about yourself.

Okamiden by Elisa Di Fiore

Okamiden by Elisa Di Fiore

Elisa Di Fiore (EDF): My name is Elisa and I’m originally from Italy. I moved to the US in 2006, then recently moved back to Europe. I live in Finland now, but I’m always visiting new places. I can do this because I work from home –I work in videogame localization, translating games from English into Italian.

ST:
When did you start getting into the game industry and how has that made an impact on your knits?

EDF:
I’ve always liked videogames, but being a child in Italy I was supposed to play with dolls. My grandma wanted me to be a “proper” young lady, so she tought me to cross-stitch when I was about ten years old. I loved it, but I eventually grew tired of stitching endless flowers and kittens, which were the only patterns I could find at the time. A few years ago, when I was already working in the videogame industry, I had the brilliant idea of cross-stitching Super Mario characters from the old 8-bit games. After all, pixels look a lot like stitches, right? Well, the result was amazing and I haven’t stopped since.

Baby Peach Bib by Elisa Di Fiore

Baby Peach Bib by Elisa Di Fiore

ST:  I bet you were always really talented when it comes to working with your hands!  Is there a certain place you like to be in when you are creating?

EDF: Home is the best place, of course, especially when it’s snowing outside and I can cozy up with a cup of tea and Doctor Who on TV. But I also enjoy meeting up with fellow knitters at one of the quaint cafés here in Helsinki –there’s an entire community of Americans knitting all over the city!

ST: What other forms of art do you practice?  What are your favorite tools you use to create?

EDF: I started knitting a couple of years ago and I’m enjoying it immensely here in Finland, where I can actually wear what I make. Before, when I lived in California, it was too warm to wear any wool! I also like sewing, quilting and perler beading, but really the best thing for me is just using my needle and embroidery floss anywhere I am. They’re practical and don’t take up any space.

ST:
It does make a difference when you can use the art you make! That’s one motivation to create.  Are there any others?

Mario Bookmark by Elisa Di Fiore

Mario Bookmark by Elisa Di Fiore

EDF: I’m an active member of an online community called SpriteStitch.com. There’s a blog with inspiring craft ideas and a forum where we share patterns, tips and accomplishments. We also collaborate every year to put together a videogame-themed quilt that gets auctioned to fund Child’s Play, a charity that helps kids in hospitals all over the world.

I’ve included a simple cross-stitch pattern I designed some time ago, based on the cat Jiji from the animated movie Kiki’s Delivery Service. It should be easy enough to try for any wannabe cross-stitcher!

ST: Thanks Elisa!  From games to knits you really know how to make things come alive.  Already you have given so many pieces of inspiration- from bookmarks to bibs, anything is possible! For more information on Elisa’s Jiji cross-stitch pattern please go to

Mario Sampler by Elisa Di Fiore

Mario Sampler by Elisa Di Fiore

Scribble Artist Interview with DV!

Scribble Town (ST): From a playful and loving person such as DV no wonder her ceramic sculptures embody and give so much joy to us all!  Thank you DV for taking the time to share with us.x
Froggy Fun by DV Hirsch!

Froggy Fun by DV Hirsch!

DV Hirsch (DV): I would like to be clear that I do not consider myself to be an artist.  If I was to be given a title then you  may call me a creaturiste.  My medium is clay and when I begin a sculpture, I rarely have an idea as to what the out come will be.
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ST:aHow did you get started with your creations?
DV's Bird in the Process

DV's Bird in the Process

DV:aI usually start out with a lump of clay that I hollow out and it becomes a pinch pot that I can build on.  There is nothing awe inspiring about a basic pinch pot but if I play with it and push it around enough, I may then say to myself that this looks like it could be a bird, or a fish.  Now sometimes something may start out as a fish and end up a bird.  I had a dog turn into a sea lion once.  The most wonderful thing about the sculpting process is that there are no mistakes.  You can always add, take away or smooth over. Once the sculpting process is done, you need to wrap the project up and let it dry very slowly and evenly.  This is because, as the clay dries, it shrinks and because I attach so many parts to my pinch pot, there is a potential for the parts to crack off if one part dries faster than the other.  At the point that the creature is dry, it is in it’s most fragile state.  If it is not handled very carefully, it could crumble.
This is a "Dino Bird" that has just been painted. by DV

This is a "Dino Bird" that has just been painted. by DV

When dried, the next stop is the kiln.  A kiln is like an oven where the sculpture bakes at very high temperature and hardens.  Once it goes through this process I no longer have to worry that it may crumble like a cookie.  It is still fragile, but now I only fear that I do not bang it.  Now the decorating process begins.  For me, this is a difficult step.  It takes a lot of discipline to paint the creature you see, because every color needs to be painted four times or else there is a chance that some color will disappear when it goes back into the kiln.  It can take me more than 100 hours to paint some  creatures, depending on how large and detailed they are.  When a creature is fully painted it goes back into the kiln for the colors to intensify.

InBe by DV

This first picture is of a guy I call an "InBe" he was just painted and is in the kiln waiting to be fired. DV

When it comes out of the kiln this time, I rinse it off, to wash away the dust, then I dip it into a clear liquid glaze.  The creature enters the kiln one more time.  However, this time the kiln’s temperature is much, much hotter.  Here the glaze will become glass like and give the creature a shiny appearance.  When it comes out, I have my fingers crossed that it looks like what I envisioned.

ST: Wow what a process!  You are a true artisan and sculpture because you are so skilled and thoughtful with your medium and creations.  What do you hope to communicate with your art?
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DV: I think that the only thing that I want to communicate and share with my work is a smile.  That is their purpose.  If someone looks at my creature and it tickles them, then I am thrilled and that is my biggest reward.
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From a young child, I was taught and encouraged to work with my hands.  I loved sewing, beading and clay and I was very lucky because my mom always made sure that if I had an interest in something then she would make sure that I had the supplies and books.  Often, I would take a class to learn a new skill.  Play dough was my earliest introduction to clay.  Actually, I believe that my mom made a play dough like substance out of corn starch.  I think that every child needs the active interest, encouragement and time from an adult to help them develop  a passion for crafts because in this day and age it is just too easy for a child to zone on the computer or TV.
Hello there! by DV

Hello there! by DV

I would never want to discourage anyone from doing ceramics.  When I finally finish a sculpture it is very rewarding.  However, the ceramic process is not for the faint of heart.  I say this because, every step of the way, there is a potential for your project to have a problem.  Often you can work through it but occasionally the project needs to be discarded.  That being said, in addition to a wide variety of skills that you learn from doing ceramics, the entire process is a wonderful teacher of many values and character attributes.  Patience, delayed gratification, pride in ones work, respect for others work and craftsmanship are just a few lessons learned.
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ST: Well, you are very good at what you do because I feel tickled :) Where does this tickling process begin- what is your favorite place to create?

DV: 
I work at a studio in NYC called La Mano Pottery.  It is a wonderful environment to work in.  Filled with good energy and good people.  I have a shelf  where I keep my work but I can work anywhere in the studio.

Scrunch Bag Buddy by DV

Scrunch Bag Buddy by DV

Everyone there is helpful and supportive.  A primary reason to work at a studio is because there I have access to the kiln along with many supplies and equipment which is not practical to have in an apartment setting.  The studio has 5 kilns and work is constantly loaded into the kilns to be fired.  So you never have to wait very long to see your final project.  Another advantage to the studio is that you are not isolated.  If you have questions or need help, there are always knowledgeable people to ask.

One of my favorite things to do at the studio is to look at eveyones shelves and admire their work.  There is so much creativity there and it is fun to be able to identify people’s work just by knowing their style.

The studio is a great place to go and become familiar with the wonder of ceramics.  At La Mano Pottery, they offer many children and adult classes.  I often see parents and their children take private lessons together.

ST: Sounds like we should all pay La Mano Pottery a visit!  One important aspect to making art is to be an environment that encourages you in the right way.  I’m happy to know you have found a place to do that.  You know where to put your cup (look below :) ).  Thanks DV!

My Cup by DV

My Cup by DV

Scribble Artist Interview with Mia Meri!

Scribble Town (ST): Mia, you are the first Egyptologist I have ever met! And you are a lover of games, which makes you double great!  I am sure there are many other things about you that are just as interesting.  We can start this Scribble Artist Interview with where are you and what are you up to these days?
Buffy as a fantasy character by Mia Meri

Buffy as a fantasy character by Mia Meri


Mia Meri (MM)
: My name is Mia Meri, I’m a 35 year old woman living in Helsinki, Finland. I used to be a software designer but now I’m studying to become an Egyptologist at the University of Helsinki.

ST: What is Egyptology and what sparked that interest?

MM: Egyptology is the study of Ancient Egypt from prehistoric times, even before they built the pyramids of Giza (c. 2600 BC), up until Cleopatra VII died in 30 BC. I don’t know when I exactly became interested in Ancient Egypt. I think I’ve been that way since the time I can remember. As a child my invisible friend was Anubis, the jackal-headed god of mummification, and I copied mummification scenes with watercolors with great care as a kid. Since I liked dogs a lot anyway, Anubis was my favourite god, and I have always liked how the pencil flows when you draw his head and the way in which he was drawn by the Egyptians.

In fact it’s quite funny I used to do that already as a child since I’d like to make epigraphy for living, which basically means copying for example tomb walls by hand. It’s very important to copy the Ancient Egyptian building walls because they might get destroyed in time in earthquakes or the sand might erode the traces of paint away. Also the Egyptian reliefs are quite hard to photograph sometimes so drawing them by hand is the only way to get exact copies of the wall drawings even today.  Below is a copy of an Egyptian wall painting I’ve done for Scribble Town.

Egyptian drawing for Scribble Town by Mia Meri

Egyptian drawing for Scribble Town by Mia Meri

ST: What got you started creating, scribbling, and making stuff?

MM: I have always liked drawing and arts in general, and my whole family is quite artistic. My mom restores old dolls, my sister sews, my aunt is the best knitter I know, my dad is good at building, and I draw and do computer graphics. My mom always encouraged me at drawing and took me to arts classes meant for adults and I participated in the courses with them as the only child in the group. That’s how I learned to paint with oil colours and water colour [laveeraus] technique and it gave me the courage to start experimenting on my own. My mom also took me to art galleries and art museums a lot and our home was full of art books. I studied them on my own and tried many different art styles, and quite soon found the style that I like and which I have been thriving to achieve ever since then. For example I had a a period when I tried cubism after Picasso. I never found the strength in me to try the strong expressionism of Van Gogh. But in the end I found myself copying Rembrandt’s works. Of course I was only in elementary school age so my drawings and paintings weren’t even close to the masters, but I learned something new all the time like how to draw hands and how to draw eyes in detail.

Later I got interested in Marvel superhero comics and I especially liked the dynamic poses of the heroes. In classic art people usually have relaxed poses, but in superhero comics the people are always on the move and stretching their muscles. I especially liked to copy Jack Kirby’s style, because he had clear lines. Also, since superheroes usually have skintight clothing, they are a really good source to learn how the human body is built. From X-Men comics I learned how muscles attach to bones and how they bulge when you move. I also studied my own muscles from a mirror, trying to analyse how and which muscles bulged as I moved my hand in a certain way. I was still in elementary school at this time.

The first one is a drawing I made from a trip to Turkey my mom and I made when I was still in Elementary school. The drawing is not that old, it's based on one photo we took there. By Mia Meri.

The first one is a drawing I made from a trip to Turkey my mom and I made when I was still in Elementary school. The drawing is not that old, it's based on one photo we took there. By Mia Meri.

I think one part of the thing why I studied drawing almost analytically as a child was that I was quite shy as a child and therefore I had a hard time making friends. I spent a lot of time on my own, but it gave me the time to really stop and think about what I was doing. I had the time to try stuff on my own and to really look and study all the paintings and pictures in the art books.

Currently I don’t have that time to concentrate on drawing and I have noticed I’m not as good at drawing as I used to be ten years ago. But I still do a lot off scribbling. I need to be doing something with my hands all the time or I get very anxious and start biting my nails or find it hard to concentrate. For example if I’m sitting in a class I have to draw all the time I’m not writing down notes or my mind starts to wonder. I know some people think it’s rude to draw while they are giving a lecture as they think it’s because I’m not listening, but it’s in fact quite the opposite! If you don’t see me drawing or writing, then I’m not listening and quite soon will fall asleep.

Also, through my studies in Egyptology, I have to draw a lot since we have to know how to write with hieroglyphs and, as you might know, all those hieroglyphs are in fact drawings. For example my name “Mia” is written by drawing an owl (M), a flowering reed (I), a hawk (A) and finally a sitting female to determine that I am a female. The most common hieroglyphs are quite easy to draw, but there are some signs where you really have to concentrate, for example the determinative for “army” has a sitting man holding a bow and that’s a lot to draw quickly in a small space.

ST: Your mom is quite a lady! You are lucky to have had such a nurturing family figure in your life. Has anyone or anything in particular inspired you or inspires you now?

MM: One of the problems I’ve always had with drawing is that I have the worst imagination when it comes to what I should draw. Even though I do have a vivid imagination my biggest problem is that I can’t come up with what to draw next. My biggest source of inspiration are roleplaying games. Roleplaying games are a way of joint storytelling. One of us makes up a setting and the rest of us pretend to be characters, who go on an adventure in that setting. The adventures we experience in roleplaying games inspire my imagination. I always draw when I’m playing. When I hear of new people we meet in our journeys I soon start drawing them. The back stories of my characters and the events that we face often end up in my drawings.

D&D by Mia Meri. Here is a Scribble from a game we played yesterday. Our team faced seemingly overwhelming group of enemies, but luckily we were victorius!

D&D by Mia Meri. Here is a Scribble from a game we played yesterday. Our team faced seemingly overwhelming group of enemies, but luckily we were victorius!

ST: What is your favorite place to create?

MM: I really don’t have a preferable place to create. Well, home is good since I have everything I need here. But basically any place is good enough. I have drawn in meetings and bars, at restaurants, at cafes. Any place works for me as long as you can sit there for a long time and can get food and drinks if need be and have a toilet somewhere.

I think more important is the setting and the mood. My drawings quite often reflect my inner feelings, and thus when I draw during roleplaying games – since it’s so much fun and we laugh a lot – I tend to draw comic images. When I draw ancient Egyptian subjects I usually put on the Cleopatra movie with Elizabeth Taylor on the background. If I need to draw a sci-fi themed image I put on Bladerunner or its soundtrack.

But most importantly you need to have time for drawing. You can’t force a drawing except if it’s a technical drawing like those copies I make of tomb walls. But if I’m drawing just out of my own head I have to have time. I usually start by just scibbling something and usually end up drawing numerous images on numerous papers and throwing them away before the drawing I want to make comes out. Just like before exercise you need to warm up first, before drawing you need to get your brain, imagination and hands warmed up. Trying to force an image out is painful, but when you give the drawing a chance to form itself on the paper it’s the best feeling ever. I often say the drawings I made drew themselves. You see, sometimes when I start to draw something that I have in my mind I notice the drawing I’m making doesn’t work for that idea, but it might become something else, even better than the original idea. Sometimes I have accidentally drawn my friends. Of couse the more you draw the more control you will have over your own images and can direct the way they will look.

ST: Please tell us more about Nörttitytöt.  What is the group about and how are you involved?

MM: I am involved with a geek women’s community called “Nörttitytöt” (“geek girls”) here in Finland. I am one of three chief-in-editors for the blog (http://geekgirls.fi) where we have 80 writers, who take turns to write about various nerdy subjects. I’m specialised in the games section including video, board and card games. The blog is mostly in Finnish but we have occasional English articles there, too.

ST: Thank you for being so open about your childhood, inspirations, and passions.  That, in itself, is so encouraging for all of us to hear.  Mia has given us a fun activity to do on the Scribble Shop Blog :)

Learn how to draw your name in hieroglyphs!
http://www.scribbleshop.com/content/draw-your-name-using-hieroglyphs-mia-meri

Please send in your new name to us at info@scribbletown.com.

Scribble Artist Interview with Pedro Mena!

Scribble Town (ST): Pedro Mena, a person of multiple trades and interests, is here with us in Scribble Town!  Pedro is an artist, teacher and a first time dad. He likes NY Pizza, Spanish Soccer, and the History of Rock and Roll!  Pedro, where are you and what are you up to these days?

Squeegees of Spain by Pedro Mena

Squeegees of Spain by Pedro Mena

Pedro Mena (PM): San Francisco Bay Area. Off on Paternity Leave! Returning to teaching visual art shortly. Donated a piece for the upcoming annual HAPS (Haight Ashbury Psychological Services) Art Auction Benefit.

ST: Congratulations on your new baby! Having a new family member will put a special spin on things :) How has your art practice changed over time and does being an art teacher (and for the future- being a father) have an effect on your own art practice?  Please let us know what ages and where you teach.

PM: It has become more specific in addressing necessity. Yes! It has allowed for more patience and flexibility – and a new outlook on seeking and bridging ideas. Middle School, Burke’s, SF.

A peek into Pedro Mena's classroom

A peek into Pedro Mena's classroom

ST: From the looks of your classroom you definitely encourage all kinds of artistic practice- from visual to musical!  What do you hope to communicate with your art and with your teaching?  Are there any other artistic mediums you work with to help push your idea along?

PM: Excitement and Engagement. Anything and everything! Music, technology, storytelling…

ST: How old were you when you first started making art and who encouraged you to create?

PM: I remember the first time getting recognized for my drawing – it was in 1st grade. A classmate asked for a drawing of Spider-Man after seeing mine. I won 3rd place in a community coloring contest later that year. I bought a toy robot of Twiki from the Buck Rogers series with the $10 toy store gift certificate prize. My family encouraged me. I was surrounded with the paintings, drawings, and prints of my grandfather growing up. He encouraged me as well. 

ST: Who are some of your favorite artists and/or authors?

PM: My grandfather, Bolivar Mena Franco, El Greco, Andrea del Castagno, Velasquez, Max Ernst, Rothko, Forrest Bess, Philip Guston,Jack Kirby, Wes Wilson, ’80s Ashley Bickerton, Jonathan Lasker, Steve Dibenedetto (college professor), Lady Pink, Nate 1…too many to name! They’ve all brought static works to life. As for writers, Peter Guralnick can sure bring a biography to life.

Pedro Mena's Rock Benefit Merchandise

Pedro Mena's Rock Benefit Merchandise

ST: I can see how your favorite artists have inspired you.  Your students are very lucky to have such an enthusiastic and caring teacher.  Thank you for sharing with Scribble Town and keep us posted on your upcoming auction and other benefit programs!

To read more about Pedro Meno’s tips on how to make Sticker Art please go to:
http://www.scribbleshop.com/content/sticker-art-pedro-mena 

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