Scribble Town (ST): From a distance what looks like a beautiful volcano of color and texture turns out to be an ingenious technique of rolled paper and paint. Amy Eisenfeld Genser has mastered the art of creating an organic effect by using mixed-media. Amy is also a mom of three sons from West Hartford, CT.  She says, “I’m a tad obsessed with paper and paint, color, patterns, and texture.”  You’ll soon see why!

Let’s start with, what does a day look like for you?

Amy Eisenfeld Genser (AEG): I am usually in my studio, on the third floor of my home. I work about five hours a day while my kids are in school. It is a juggling act. My typical day is to get the kids off to school, hit the gym for an hour, and then come home to work. Because my studio is in my home, it’s sometimes hard not to get “mess-tracted” as I call it (starting to do laundry, clean dishes, etc…) but having the studio on another floor helps. Going up the stairs is like crossing a threshold. I also listen to books on tape while I work. Time flies when I’m working on a piece and into a great story, but when I see the bus coming down my street at 3:45, my work day is over.

ST: I’ve never heard that term “mess-tracted” before, but I like it because I can completely relate to you! When you do get to your work, how would you define your art?  It seems to be a peaceful combination of craft and fine art.  I have never seen anything like it before.

AEG: I refer to it as mixed-media. I’ve been able to live in both the fine art and craft worlds. It’s nice to be welcome in both places.

ST: I can see how your artworks really settled nicely in the two worlds too. How did you discover this artistic process of paper quilling?  Was there somebody that encouraged you?

AEG: Technically, my process is not quilling – I will outline my process below. I first started experimenting with paper during a papermaking class while studying for my MFA in Graphic Design at RISD (Road Island School of Design). My professor Jan Baker encouraged us to test the limits of what paper can be.

River Run by Amy Genser

ST: Where do you find yourself feeling really inspired to create? On your website (About page) you mention, “The sources of my work are textures, patterns, and grids. I look for forms that can be repeated to create a pattern when they are joined.”  Please expand on that and if you have a story we’d love to hear it!

AEG: Most of my inspiration comes from nature because it is perfectly imperfect. I love all kinds of organic processes. They are visually intriguing and engaging. We spend a lot of our summers on the beach in Rhode Island. I love watching the water, the rocks, and the light. Our beach has rocks with these really neat barnacles and seaweed. Their colors are always changing. Sometimes there’s a lot of it, and sometimes just a little. It’s neat to watch the progression. One day when the seaweed was purple, brown, yellow and green, my husband made the awesome observation that nature never clashes. I love that.

Mineral Violet by Amy Eisenfeld Genser

In reference to my latest “mineral series”, I have always been drawn to gem-like colors. My mother is a jeweler who works with a lot of gemstones. I’ve grown up peering into tourmalines, garnet,diamonds, opals, citrine, etc. We always talk about how juicy and “lickable” the colors are. I have recently been looking at a lot of agate and geodes. The colors are simultaneously vibrant and translucent. Pretty amazing. I thought I’d take a stab at my own interpretation of them.

ST: So how do you turn your paper to look like gems, minerals, and other elements of life? What is the process?

AEG: Using Thai Unryu, I treat the paper almost as a pigment, layering colors one on top of the other to create different colors. My pieces are about a foot wide. Then I roll one layer on top of the other in all different thicknesses. I seal the roll with acid-free, archival glue stick, and then cut the long piece into sections with scissors or pruning shears. I have pruning shears of all different sizes to accommodate different widths.

ST: Wow! What a laboratory of processes! What forms of art do you include in your mixed-media paintings? What are some tools you like to use?

AEG: The actual rolling and cutting process is pretty quick. At this point I could pretty much do it in my sleep. It’s the composition/editing process that usually takes the longest. I paint my surface, either canvas or paper first, with acrylic and a lot of gel medium. Then I place my paper pieces on top and manipulate them until I have a satisfactory composition. It’s like putting a puzzle together, only I don’t know the final picture until I see it. I roll my pieces accordingly as I develop and build the piece. It’s a back-and-forth process. The paper and the piece lay on different tables in my studio. I attach the paper onto the canvas with PVA once I have the pieces where I want them.

Tall Tower by Amy Eisenfeld Genser

ST: Is there a song that moves you at the moment?  Perhaps you can place a song with one of your works.

AEG: I can place a piece with a book on tape – one of my favorite- Prince of Tides” by Pat Conroy. I usually listen to books on tape while I work. My head is usually in the story, and my hands are free to do what they need to do.

ST: The titles of your pieces are very revealing and help the viewer guide how they can look your work.  How do you come up with these titles?

AEG: Usually it had to do with the inspiration for the piece. I just look at the work and figure out a title. They always feel a little uncomfortable and arbitrary to me. It’s hard for me to give words to something that is visual.

ST: Amy, what’s a piece of advice you can give our Scribblers?

AEG: Have fun! Do what feels good. Keep your hands busy and the work will follow along. There’s nothing like getting rid of creative energy through using your hands. I was that kid who was always weaving potholders on the plastic loom and making complicated patterns in woven friendship bracelets.

ST: Thanks Amy for sharing so much with us! Amy has shared an activity for us to get started on our own artwork.  Check out Scribble Shop for more details:
http://www.scribbleshop.com/content/roll-it-your-wonder-amy-eisenfeld-genser

Portrait of Amy Eisenfeld Genser

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Scribble Town (ST): The first time I spotted Adrienne Moumin’s photo collages I was stunned by their design and beauty.  And then curiosity hit!  How did she do that?  Where are these images coming from and how is it so that from one concrete image it is perfectly cut and spliced and then re-contextualized all to have it’s meaning turned upside down.  Adrienne is here with us to share with us her creative story!

Adrienne Moumin (AM): I was born in 1961 in Brooklyn, NY. I work in film-based, hand-printed, B&W photography, and hand-cut-and-assembled, mixed-media photo collage.

Sculpture Garden Hirshhorn; 33” x 33” Hand-Cut-and- Assembled Gelatin Silver Photo Collage; 2009 by Adrienne Moumin

I am best known for my Architextures series of handmade photo collages.  My favorite photographic subjects are NYC architecture and urban landscapes, and store window mannequins.

This is me (with a selection of my Architextures photo collages) in my booth at the Architectural Digest Home Design Show, Pier 94 in NYC, March 21-24, 2013. I made a great many contacts in the architecture and interior design fields, as well as directly with people who buy art for their homes and offices.

My photography and collage have been exhibited in New York, and nationwide, for over fifteen years.  My work is in private collections in the US and internationally.

ST: Your photographs and collages have been on the move for quite a while now!  Where are you and what are you up to these days?

AM: I am based in New York, NY and Silver Spring, MD. I split my time between the two cities: showroom in NYC, and studio and darkroom in MD. I am continuing to work on my Architextures series, as well as coming back to the surrealist mixed-media collage style that I have dabbled in for years. I recently sold one of those pieces to someone who is wildly enthusiastic, and has encouraged me to produce more work in that genre.

ST: I like the name of your series, Architextures.  It gives a tangible feeling to the photo collages, but also a sense of having a strong structure to the series.  When did you start making collages and taking photographs? Was there somebody that encouraged you?

AM: I began working in cut-paper collage starting at about 8 years of age, using magazines and catalogs that would come to the house, to decorate whatever I could find.  A major project in childhood was decorating the top of a castoff bookcase with hand-cut magazine pictures. I began photographing seriously, and studying film and darkroom processes, in my ‘20’s. I have been completely self-propelled in my artistic endeavors.

Snippetree; 19" x 13 ¼" x 1 ½” Deep Hand-Cut-and- Assembled 3-D Gelatin Silver Photo Collage; Made from over 300 pieces cut from 10 duplicate prints; 2011 by Adrienne Moumin

ST: That’s great to hear that you have been making collages since your were 8 years old!  Where do you find yourself feeling really inspired to create?  I really like your stories on your website especially the one under Architectural Detail.  You write, “Someone told me once that I was an architect in another life. I love the curves and the lines, the reflections and the tonalities, the solidity and transparency, and the man-made striving for esthetic and functional perfection, of architectural forms.”  To read more of Adrienne’s stories please go to http://www.picturexhibit.com/index.html.

AM: So many things inspire me!: Walking around the city, looking at architecture and urban landscapes; fashions worn by passersby; and store window displays.  And, of course, looking at the art of others, in galleries, museums, and online.

ST: Inspiration is one thing, but skill is another.  How do you hand print silver gelatin photographs?  What is the process?  I’m sure we are all interested in the magic of the dark room.

AM: I use an enlarger, which is a device that shines a light through the photographic negative, and projects it below onto the light-sensitive paper that I place there.  Then I put the paper through a series of chemicals in trays, to develop and fix that latent image. This is all done under a reddish-orange “safelight,” which provides just enough light for me to see what I am doing, yet does not affect the paper.

ST: What forms of art do you include in your mixed media photo collages?  What are some tools you like to use?

AM: I always start with the photograph, and what it suggests to me in terms of feeling and mood.  There is no limit to what I will attach to the surface of a photograph. Paper cutouts, glass or plastic beads, sequins, Swarovski crystals, metal stampings…the list never ends!

ST: What kind of music do you like?  Is there something you are listening to at the moment while you make art?

AM: Music is very important to me when I am printing in the darkroom.  In keeping with the analog nature of my work (and my refusal to replace a perfectly functioning technology simply because something new comes out), I have a little boombox in there which plays cassettes and CDs! Two of the CDs I nearly always listen to during printing sessions are the first album from Counting Crows, “August and Everything After,” and The Band’s “Greatest Hits.”

The Victory Arpeggios; 25½” x 25¾” x 3/8” deep Hand-Cut-and- Assembled 3-D Gelatin Silver Photo Collage; 2012 by Adrienne Moumin

ST: Adrienne, you have given us a great start to create and how to look at things differently!  What is a piece of advice for parents and their little scribblers?

AM: For the parents: Look at some collage sites on the internet, and google different search terms, to find age-approriate project ideas for children; many require little or no money.  Talk to your children about what they would enjoy; you never know when an idea will spark a fire that lasts a lifetime.

For scribblers: Just do what you feel. Because art has no rules.

I found this on Pinterest, and followed the link to this ingenious project, posted by art teacher Sherri Schultz.  It is simply using our imaginations to expand on an image.
http://artmommie.blogspot.com/2012/03/young-explorers-class_10.html

ST: You are right- art has no rules and now is the time to explore and create!  Thank you, Adrienne!

To find the tools to get started on your own collage please have a look at Adrienne’s suggested art activity that expands your image  http://www.scribbleshop.com/content/exploring-expansion-your-image-and-imagination

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Scribble Town (ST): Pedro Mena, a person of multiple trades and interests, is here with us in Scribble Town!  Pedro is an artist, teacher and a first time dad. He likes NY Pizza, Spanish Soccer, and the History of Rock and Roll!  Pedro, where are you and what are you up to these days?

Squeegees of Spain by Pedro Mena

Pedro Mena (PM): San Francisco Bay Area. Off on Paternity Leave! Returning to teaching visual art shortly. Donated a piece for the upcoming annual HAPS (Haight Ashbury Psychological Services) Art Auction Benefit.

ST: Congratulations on your new baby! Having a new family member will put a special spin on things How has your art practice changed over time and does being an art teacher (and for the future- being a father) have an effect on your own art practice?  Please let us know what ages and where you teach.

PM: It has become more specific in addressing necessity. Yes! It has allowed for more patience and flexibility – and a new outlook on seeking and bridging ideas. Middle School, Burke’s, SF.

A peek into Pedro Mena's classroom

ST: From the looks of your classroom you definitely encourage all kinds of artistic practice- from visual to musical!  What do you hope to communicate with your art and with your teaching?  Are there any other artistic mediums you work with to help push your idea along?

PM: Excitement and Engagement. Anything and everything! Music, technology, storytelling…

ST: How old were you when you first started making art and who encouraged you to create?

PM: I remember the first time getting recognized for my drawing – it was in 1st grade. A classmate asked for a drawing of Spider-Man after seeing mine. I won 3rd place in a community coloring contest later that year. I bought a toy robot of Twiki from the Buck Rogers series with the $10 toy store gift certificate prize. My family encouraged me. I was surrounded with the paintings, drawings, and prints of my grandfather growing up. He encouraged me as well. 

ST: Who are some of your favorite artists and/or authors?

PM: My grandfather, Bolivar Mena Franco, El Greco, Andrea del Castagno, Velasquez, Max Ernst, Rothko, Forrest Bess, Philip Guston,Jack Kirby, Wes Wilson, ’80s Ashley Bickerton, Jonathan Lasker, Steve Dibenedetto (college professor), Lady Pink, Nate 1…too many to name! They’ve all brought static works to life. As for writers, Peter Guralnick can sure bring a biography to life.

Pedro Mena's Rock Benefit Merchandise

ST: I can see how your favorite artists have inspired you.  Your students are very lucky to have such an enthusiastic and caring teacher.  Thank you for sharing with Scribble Town and keep us posted on your upcoming auction and other benefit programs!

To read more about Pedro Meno’s tips on how to make Sticker Art please go to:
http://www.scribbleshop.com/content/sticker-art-pedro-mena 

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O Christmas tree, O Christmas tree… no, not the real ones with pine needles that are reach up to the ceiling! How about the ones made of paper that fit right on a page? This paper tree collage is a perfect rainy day or evening activity during the holiday season.

All you need is…. paper! Well, okay… paper, scissors (or a paper cutter if you have one at home), and glue. When it comes to paper, let’s specify. You’ll need a large sheet of white paper for your background and then a variety of paper scraps that include the color green. You could use construction paper, scrapbook paper, leftover wrapping paper… whatever you like!

Cut your green paper into strips of different widths and lengths. Once you have a nice little pile, start stacking them on your white sheet, longest strips on the bottom. The rest can be random and don’t be afraid to mix your patterns and angles. Use a glue stick to adhere them down when you’re ready. If you like, you can cut out some ornaments, a brown tree trunk, and a star from construction paper to decorate your tree. Ta-da!

Quick, simple, and pretty! And your entire cleanup consists of sweeping any scraps of extra paper into a recycling bin. Display and enjoy!

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Sari Toivola (Sari): Hi! I’m Sari Toivola a Graphic Designer and Illustrator from Vantaa, Finland. I love drawing, designing, comics, history, horses and cats.   I’m working as a Graphic Designer and Illustrator and my business name is Sari ja kuva. I am also a qualificated special needs assistant and have worked with kids, so I’m really excited when I get a chance to create something for them!

Katteja by Sari Toivola

Scribble Town (ST): Thank you Sari for being with us at Scribble Town!  I like your business name ‘Sari ja kuva’ because when I did a translation of it from Finnish to English it means ‘Sari and picture’.  I started playing around with your words and found that if you put them all together (take away the i) sarjakuva means cartoon!  How clever of you to come up with that name!  It makes perfect sense why a girl named Sari from Finland should be an illustrator and comic lover.

With that said please tell us more about yourself.  What are you up to these days?

Sari: At the moment, I’m doing different kind of works for small companies, associations and private persons. Drawing and designing isn’t only work for me, it’s also a hobby and a lifestyle.

Wonderland by Sari Toivola

ST: What do you like most about illustrating?

Sari: Drawing is creative and the most natural way for me to express myself. By drawing you can mix reality and fantasy, only sky (and your own imagination) is the limit. It’s also rewarding to draw for some specific purpose where illustration is supposed to be a part of the big picture and support, for example, a text. I’m always trying to create something a bit new and bring the subject a new point of view. I also want to express feelings through my pictures, hoping they will touch the viewers as well.

ST: What is your favorite place to create?

Sari: Most of the time I work at home but some days it’s also nice to go to a nice coffee house and work there. It totally depends on my mood… If I’m tired I’d rather stay at home but sometimes it’s good and healthy to go outside and then I usually pick a nice place with some background noise which helps me concentrate.

ST: What art techniques or tools do you like to use?

Sari: Mostly I draw digitally on the computer using a mouse and a few programs, but I also use pencils and markers for sketching. I usually start a new work by drawing and sketching by hand. Then I scan my sketches and finish the work with a computer by drawing the lines and coloring.

ST: Where do you get your inspiration from?

Sari: I get my inspiration from every day life, people, animals, and nature. I’m also very into European history of arts and culture. This is one of the things that inspires me most.

ST: Do you have a craft, piece of art, or art technique you can share with our Scribblers for them to make at home? Any tips would be great!

Sari: I have been working with an intreresting technique lately called “Taikataikina,” which translates to “Magic Dough.” Everyone can make it, you just need some wheat flour, salt, water and cooking oil. You can handle it like play dough or clay and it can be harden in a regular oven.

Instructions on how to make Taikataikina aka Magic Dough:

Taikisnaamio or Magic Dough by Sari Toivola

3 dl wheat flour

1½ dl salt
1½ dl water
(dl= deciliter)

1 spoon of oil

If you like you can also add a hint of food colouring to the dough for more color.

Mix all the dry ingredients together and then add water and oil. Fold the dough until it’s smooth and then start creating.

If you don’t use all the dough at once, keep the rest of the dough in fridge so you can use it later.

Finished artworks can be harden by heating them in an oven about an hour in 125 celsius degrees. Hardened works can be painted and varnished by using water colours, acrylics or permanent markers.

Sari Toivola's Taikisnaamio or Magic Dough going in the oven

This dough is very easy to make and simple to work with. It’s 100% non-toxic, so it’s also suitable for small children. And it is cheap and can be hardened at home without any complicated or expensive equipment.

Here are a couple of photos of fresh Magic Dough Masks waiting to get cleaned up and colored.

ST: What a great idea, Sari! Perhaps the Scribblers out there could make their own Magic Dough and send in pictures of their creations. We can post your Magic Dough sculptures on the Scribble Blog. I’m definitely ready to get my hands all floured up and turn 2D into 3D!

Here's what Felipe, Christian, M, & Pierre look like with color! Painted by Sari Toivola

After the Magic Dough creations bake in the oven you can paint them.  To the left are Felipe, Christian, M, and Pierre with rosy lips and faces full of color.

For more info about Sari and her artwork please have a look at www.sarijakuva.fi.  I’m sure she’d love hear from you!  In Finnish you can say “moi” or “hei” for hello. Hay is not just for horses in this part of the world

Thanks Sari for all the inspiration you have given us!

Scribblers, don’t forget to send in jpegs of your Magic Dough creations to info@scribbletown.com. Can’t wait to see what you’ve come up with!

Kissalumiukko "A Snowman Cat" by Sari Toivola

Kameleonttilinnut ja neljä vuodenaikaa "Cameleon birds and the four seasons" by Sari Toivola

My Life and Ego by Sari Toivola

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Well, this month is off to an unseasonably warm start. That’s making it all the tougher to really believe that it’s already December! But don’t be fooled—winter is here. Let’s just enjoy the mild days of December while we can because chilly air and snow can’t be far away.

Speaking of snow, how cute are these snowman cups? Becca of Blue Cricket Design created these adorable little guys with Styrofoam cups, some pink and black paint, and a little orange stiff felt.

With a small, round sponge and pink paint, dab some rosy cheeks onto your cup. Next, dip the back of a paintbrush in black paint and create the coal eyes and mouth. Finally, cut a triangle of orange stiff felt and hot glue it to the cup as the carrot nose! That’s all it takes! If you’re making a whole bunch, you can set up an assembly line and do each step in bulk one at a time.

Cute, cost-effective, and useful! These little guys are just perfect for milk and cookies or hot chocolate. They also make adorable carriers for classroom snacks or clever goodie bags (just stick lids on them)! And even in the nice weather, these snowmen won’t melt. Have fun!

Photo via Blue Cricket Design

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What are your feelings on candy canes? Come wintertime, they’re just all over the place. While they make lovely seasonal decorations, they often lead a lonely existence. Sure, every so often, someone will eat one, but that’s it. As a stand-alone snack, they’re fine, but imagine how yummy they’d be with some tasty partners in crime!

These adorable sled snacks from Gluesticks and Planning with Kids make a perfect treat for the kids… whether it’s for a party or just hanging at home. All you need are mini candy canes, some chocolate frosting, mini Milky Way bars, and Teddy Grahams.

Cut your Milky Way in half and use the chocolate frosting to adhere it to two candy canes for the sled. Then stick a Teddy Graham in between the chocolate bar halves for the driver. That’s all it takes!

Mmm… chocolate and peppermint that’s as tasty as it is adorable. Now, there’s a winning combination. On your marks. Get set. GO!

photo via Gluesticks

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Happy Thanksgiving Scribblers!

What a beautiful day for a parade and for sharing time with friends and family.

I thought that you would enjoy these fun and easy activities to keep your little Scribblers busy while you are preparing for the festivities.

Scribble your own Thanksgiving placemat with our downloadable coloring page.  Click on the image to download and print.

Your kids will enjoy making this turkey headband.  It’s easy too. You’ll need some colorful construction paper, scissors and glue.  Cut, glue and assemble and enjoy!

Here’s a coloring page that’s sure to delight, get those crayons and markers out and get scribbly!!

Wishing you a happy day and a wonderful Thanksgiving!

Gobble, Gobble!!!

Warm Regards,

Andi

Chief Scribbler

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October may be the time for spooky, scary monsters, but once Halloween is over, why not take a look at other kinds of creatures?  Monsters can also be colorful, adorable, slimy, goofy, or funny. They can also be made with just some paint and a straw!

These cute and kooky critters are fun to create and just as simple! They’re a great opportunity to play with color, character, and creativity! You’ll need white paper, paint, straws, construction paper, googley eyes (optional), and glue.

Use a straw to blow the paint on the paper, creating the body and arms and legs (remember there can be more than two of each!). You can put small blobs of a few colors on the paper to see how they interact and add more dimension to your monster.

Then it’s time to create the faces! You can use construction paper or even googley eyes… whatever you want! Just glue them where you want the face to be. You can also add accessories or scenes around your monster! Remember—all these add-ons are how you showcase your monsters’ personalities.

Go wild! See just how crazy you can make your monsters. If you give this a try, take a moment and share your finished results with us! We’d love to see some one-of-a-kind kooky creatures.

Photo via smART Class

Photo via Raising Sparks

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