How green is your thumb? Do you like bringing a little of the outdoors inside with houseplants? Potted plants are a great way to dress up any room, windowsill, or patio. But while the plants add life and color, the pots themselves are often overlooked. Add some personality to your little terracotta tubs with paint. There are tons of ways you can paint your pots—and feel free to try any that strike your fancy—but two techniques that stand out lately are color blocking and drip-drying.

For this project, you’ll need: terracotta pots (or any ceramic pot), masking tape or painter’s tape, and paint, either acrylic or spray, in any colors you like. As you can see, you’ve got lots of options here!

First, decide how you’d like your pot to look. If you want it to have a base color, start by painting the whole thing in the color of your choice and letting it dry. For those who prefer the natural terracotta to show through, jump right into whichever technique you’re trying.

Photo via Dellie

If you’re going to color block, start by wrapping tape around the pot at your desired height. Next, grab your paint (be it on a brush or in a can) and paint the half you want to be colored. Spray painters should aim for about two to three coats. If you’re using a paintbrush, you can also freehand the line around for a more rustic look.

Photo via The Proper Pinwheel

If straight lines aren’t your thing and you’re ready to drip some paint, flip that pot over! Once it’s upside down, pour a bit of paint around the sides on the “top” (what’s technically the bottom) and start swirling your pot around on its edges so the paint spreads closer to the edge and eventually runs over the sides. Try to do this over something like tinfoil or plastic—paper will stick to any dried paint that reaches the bottom and give you a hard time.

Photo via The Lovely Cupboard

Let your pots dry and then load them up with your favorite plants (cacti, succulents, flowers, etc). To weatherproof these, spray with a clear sealant and then set them up outside.

Et voila! Your pots are as pretty as the plants they hold. Which style do you prefer? Do you have any other favorite ways to jazz up your planters?

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Yesterday, I went to the movies and saw To The Wonder, directed by Terrence Malick (Tree of Life, Days of Heaven). Malick is probably best known for his gorgeous cinematic poetry. He uses beautiful camerawork to showcase the natural beauty of our world (and sometimes our destruction of it). One element of nature that he seemed to really focus on in this movie was water. Oceans, puddles, rivers, indoor pools—this film was swimming in shots of water, each more beautiful than the last.

To the Wonder (2012) – photo still

As I watched this visual theme develop, I started thinking about taking it beyond the theater with me, which makes it our new Scribblin’spiration! Water can take on so many forms and appearances. Sometimes it looks blue or green or gray… other times it’s clear. From far away, it seems opaque, while up close it’s transparent and can distort whatever you’re seeing through it. It can be in a natural body, like an ocean or river, or it can be in a pool. It could be running from a faucet or waterfall, or just sitting in a glass. Sometimes it’s still and tranquil while other times it’s rough and choppy. And that’s just in its liquid state! Don’t forget ice, steam, and fog! But for now, let’s focus on liquid. While seeing water is a pretty common occurrence, it still makes a fascinating subject for art.

Now it’s your turn. Try out your own artistic interpretations of water by observing a couple different examples. Go out to nearby river or pond. Take along a sketchbook on a trip to the beach. Check out some puddles after a rainstorm or just fill up a glass of water. Try working with pencil, pastels, paint, and watercolors. See how each medium changes the way the water looks and the mood of your picture.

Here are some artists’ own interpretations to give you an idea of how different water can look from one painting to the next. Have fun experimenting and don’t forget to share a link to your work with us!

Starry Night Over the Rhone (1888), Vincent Van Gogh

Portrait of Artist (Pool with Two Figures) (1971), David Hockney

Lemon Water (2010), Debbie Becks Cooper

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Call me crazy, but lately it seems like Q-tips and flowers are a crafting match made in heaven. Q-tips make a great, inexpensive alternative to paintbrushes, especially for little hands and their texture is perfect for creating beautiful dandelion paintings. They also present the perfect opportunity to show how what’s ordinary or even a nuisance to some can be beautiful to others.

Take dandelions—technically, they’re considered weeds, but both species (the yellow florets and the white seed heads) are so pretty. And how fun is it to make a wish on the white seed heads and blow on them so the little white fibers sail off into the wind? Well, when you do that, you’re actually just helping to spread the seeds and grow more weeds! But what’s pesky to some is beauty to others.

Q-tips don’t get a great wrap either. They’re a bathroom accessory that’s mostly used for make up or nail polish cleanup.  Q-tips aren’t often given much thought and are usually hidden in a drawer or dressed up in a glass dish. But these little guys can also make a great art tools. And when you combine them with dandelions, these two outcasts can make a beautiful painting.

To create your own dandelion painting, grab some Q-tips and white paint. Now, there’s a lot of room for interpretation here. You can either start with a blue piece of paper or take white paper or a canvas and paint it blue. You could paint a scene, such as grass or a field, or leave it plain. If you painted, wait for the background to dry thoroughly. Next grab a Q-tip and dip it in white paint. For a simpler interpretation, just start making dots. Create a cluster of dots for the flower’s base and then trail your dots off to represent the seedlings blowing away. Finally, add a black or green stem with paint, charcoal, or crayon… whatever you prefer. If you want to get a little bit fancier, you can use lines and dots to create your dandelions. Draw lines coming out of a central point to create a sphere and then add the dots to the end of your lines. This will give your dandelions a full, round look.

Photo: “Fly Away Dandelions,” Artsonia

There are no mistakes here. Experiment in making your dandelions however you like. As long as you have a Q-tip with white paint and a surface to paint it on, you’re over halfway there. It’s important to remember that the ordinary can be extraordinary and you have the power to make that transformation every day!

Photo: “Light Blue Wishes,” SVPPLY

Happy crafting and have a creative day!

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Pointillism is a real nifty painting style for any budding art lover to acquaint him or herself with. Not only is it an interesting moment in art history, but it’s also a great technique to play with and explore in one’s own work. In this project, we’ll make our very own creations comprised of dots. It’s a wonderful way to explore texture and color. This project is suited for anyone and is a perfect mix of fun and education for kids. If working with little ones, supervision or assistance is strongly recommended since there is a flame involved (see below).

First, a little background: Pointillism is a painting technique pioneered by artists like Georges Seurat and Paul Signac towards the end of the Impressionist movement (late 1800s). The artist uses dots of color to create a larger whole picture. The connection our eyes make between each dot can create the impression of different colors and specific images. Pretty neat, huh? It’s similar to Impressionism in that the brushstrokes are visible and central to the aesthetic of the painting, but pointillism is more precise and controlled—you can see each dot. You may have seen these famous pointillist paintings:

A Sunday Afternoon on the Island of La Grande Jatte (1884-86) by Georges Seurat

 The Papal Palace, Avignon (1900) by Paul Signac

It may look super complicated, but don’t let that stop you! You too can create your very own pointillist masterpiece! You’ll need: a canvas or sturdy piece of paper, a pencil, wax crayons (with the paper wrappers removed), and tea light candles. Ideally, you’ll want a lot of crayons—a couple shades for each color to add depth and make the dots stand out. For example, if you’re creating a blue sky, try using a dark, medium, and light blue.

Okay, let’s get started! First, take your pencil and lightly outline the picture you want to create—just big, general shapes… nothing too detailed. When you’re ready to start filling the picture in with dots, start with the background and work your way up to the foreground. Take a crayon and hold it about an inch over the candle flame.  Once it starts to melt, but before it drips, start dotting the desired section of the canvas. Leave some spaces so you can go back with another shade of the color. Repeat this process until you’ve worked through the section, then start with your next shade. The process is time-consuming, but I actually find it strangely soothing. The relaxed repetition of creating dots and seeing them slowly build a picture can be both calming and fulfilling. Also, don’t feel obligated to finish your whole picture in one sitting. Sometimes it’s better to take a break or even work on it over a few days.

Here are some great examples of homemade pointillist projects (click links for each blogger’s tutorial):

Photo: Intellidance                                      Photo: Helping Little Hands

One good alternative to melted crayons is using acrylic paints and unused pencil erasers (the pencil acts as a great brush handle and the round eraser makes perfect dots). This creates a similar look, but avoids using a flame.

Photo: Classic Play

Once you have a feel for the general method, feel free to make it your own. Art is a wonderful combination of understanding established techniques and experimenting to make them your own. Happy dotting!

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Scribble Town (ST): The first time I spotted Adrienne Moumin’s photo collages I was stunned by their design and beauty.  And then curiosity hit!  How did she do that?  Where are these images coming from and how is it so that from one concrete image it is perfectly cut and spliced and then re-contextualized all to have it’s meaning turned upside down.  Adrienne is here with us to share with us her creative story!

Adrienne Moumin (AM): I was born in 1961 in Brooklyn, NY. I work in film-based, hand-printed, B&W photography, and hand-cut-and-assembled, mixed-media photo collage.

Sculpture Garden Hirshhorn; 33” x 33” Hand-Cut-and- Assembled Gelatin Silver Photo Collage; 2009 by Adrienne Moumin

I am best known for my Architextures series of handmade photo collages.  My favorite photographic subjects are NYC architecture and urban landscapes, and store window mannequins.

This is me (with a selection of my Architextures photo collages) in my booth at the Architectural Digest Home Design Show, Pier 94 in NYC, March 21-24, 2013. I made a great many contacts in the architecture and interior design fields, as well as directly with people who buy art for their homes and offices.

My photography and collage have been exhibited in New York, and nationwide, for over fifteen years.  My work is in private collections in the US and internationally.

ST: Your photographs and collages have been on the move for quite a while now!  Where are you and what are you up to these days?

AM: I am based in New York, NY and Silver Spring, MD. I split my time between the two cities: showroom in NYC, and studio and darkroom in MD. I am continuing to work on my Architextures series, as well as coming back to the surrealist mixed-media collage style that I have dabbled in for years. I recently sold one of those pieces to someone who is wildly enthusiastic, and has encouraged me to produce more work in that genre.

ST: I like the name of your series, Architextures.  It gives a tangible feeling to the photo collages, but also a sense of having a strong structure to the series.  When did you start making collages and taking photographs? Was there somebody that encouraged you?

AM: I began working in cut-paper collage starting at about 8 years of age, using magazines and catalogs that would come to the house, to decorate whatever I could find.  A major project in childhood was decorating the top of a castoff bookcase with hand-cut magazine pictures. I began photographing seriously, and studying film and darkroom processes, in my ‘20’s. I have been completely self-propelled in my artistic endeavors.

Snippetree; 19" x 13 ¼" x 1 ½” Deep Hand-Cut-and- Assembled 3-D Gelatin Silver Photo Collage; Made from over 300 pieces cut from 10 duplicate prints; 2011 by Adrienne Moumin

ST: That’s great to hear that you have been making collages since your were 8 years old!  Where do you find yourself feeling really inspired to create?  I really like your stories on your website especially the one under Architectural Detail.  You write, “Someone told me once that I was an architect in another life. I love the curves and the lines, the reflections and the tonalities, the solidity and transparency, and the man-made striving for esthetic and functional perfection, of architectural forms.”  To read more of Adrienne’s stories please go to http://www.picturexhibit.com/index.html.

AM: So many things inspire me!: Walking around the city, looking at architecture and urban landscapes; fashions worn by passersby; and store window displays.  And, of course, looking at the art of others, in galleries, museums, and online.

ST: Inspiration is one thing, but skill is another.  How do you hand print silver gelatin photographs?  What is the process?  I’m sure we are all interested in the magic of the dark room.

AM: I use an enlarger, which is a device that shines a light through the photographic negative, and projects it below onto the light-sensitive paper that I place there.  Then I put the paper through a series of chemicals in trays, to develop and fix that latent image. This is all done under a reddish-orange “safelight,” which provides just enough light for me to see what I am doing, yet does not affect the paper.

ST: What forms of art do you include in your mixed media photo collages?  What are some tools you like to use?

AM: I always start with the photograph, and what it suggests to me in terms of feeling and mood.  There is no limit to what I will attach to the surface of a photograph. Paper cutouts, glass or plastic beads, sequins, Swarovski crystals, metal stampings…the list never ends!

ST: What kind of music do you like?  Is there something you are listening to at the moment while you make art?

AM: Music is very important to me when I am printing in the darkroom.  In keeping with the analog nature of my work (and my refusal to replace a perfectly functioning technology simply because something new comes out), I have a little boombox in there which plays cassettes and CDs! Two of the CDs I nearly always listen to during printing sessions are the first album from Counting Crows, “August and Everything After,” and The Band’s “Greatest Hits.”

The Victory Arpeggios; 25½” x 25¾” x 3/8” deep Hand-Cut-and- Assembled 3-D Gelatin Silver Photo Collage; 2012 by Adrienne Moumin

ST: Adrienne, you have given us a great start to create and how to look at things differently!  What is a piece of advice for parents and their little scribblers?

AM: For the parents: Look at some collage sites on the internet, and google different search terms, to find age-approriate project ideas for children; many require little or no money.  Talk to your children about what they would enjoy; you never know when an idea will spark a fire that lasts a lifetime.

For scribblers: Just do what you feel. Because art has no rules.

I found this on Pinterest, and followed the link to this ingenious project, posted by art teacher Sherri Schultz.  It is simply using our imaginations to expand on an image.
http://artmommie.blogspot.com/2012/03/young-explorers-class_10.html

ST: You are right- art has no rules and now is the time to explore and create!  Thank you, Adrienne!

To find the tools to get started on your own collage please have a look at Adrienne’s suggested art activity that expands your image  http://www.scribbleshop.com/content/exploring-expansion-your-image-and-imagination

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Did you know you could use art to be a secret agent? Well you can! With the right combination of supplies, you can make hidden messages and codes. You don’t need any training or fancy gadgets or powerful connections. All you need is white paper, a white crayon, and watercolor paints. Sounds pretty easy, huh?

Take your white crayon and write a secret message or draw a picture on the paper. Make sure to press firmly or go over it so that it really stands out. Can’t see it on the white paper, can you? Good. Now grab your watercolor paints and a brush and paint over your words or drawing. You can paint a picture, or one solid color, or a lovely abstract design. See how the crayon shows through the paint? Your hidden message is now visible… and beautiful, might I add!

Now, if you’re not in the mood to be a super secret spy but like the technique of using white crayon and watercolors, just make a pretty drawing or design for the fun of it! This simple trick creates a beautiful and unexpected look for a greeting card, wall art, or sketchbook page.

Never underestimate how far you can go with your basic art supplies. Many people find the white crayon to be useless, but these fun creations wouldn’t be possible without it! Give it a whirl and see what exciting pictures you come up with.

Photo: A Little Artsy

Photo: Alisa Burke

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Who’s ready to decorate some Easter eggs for this weekend?

The tradition of dyeing them with food coloring is certainly pretty and fun to do, but there’s nothing wrong with getting a little creative and trying some unique ways to adorn your little hardboiled canvases. We’ve been showcasing some fresh and fuss-free ideas to try this year. You can check out our post on permanent marker Easter eggs here.

Another super fun and simple technique? Using temporary tattoos! All you need are your hardboiled eggs (shells on), temporary tattoos, and a damp sponge. You can buy some designs that appeal to you or if you’re feeling ambitious, you can print graphics of your own choosing on temporary tattoo paper and cut them out (Country Living provides this link to purchase temporary tattoo paper). It takes a bit of patience to ensure you press the tattoo flatly on the egg—just hold it down with your damp washcloth for about thirty seconds. It transposes onto an eggshell the same way it does onto skin.

This is also perfect if you’re looking to maximize decoration and minimize cleanup.  It’s quick, easy, inexpensive, and looks impressive! Now that’s a winning combination. There are plenty of tattoos of butterflies and flowers to be found if you want to stick with images of spring, but feel free to pick out any tattoos you like. Maybe put a couple tattoos on the same egg to create a little scene.

Do you have any tips for mess-free, creative Easter egg decorations? Do you still prefer classic dyed eggs?

Photo: Country Living

Photo: Ramblings of a Formerly Rock’n’Roll Mum

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Happy Passover to those celebrating! Boy oh boy, the holiday sure came early this year. We’re in the midst of a spring holiday marathon with St. Patrick’s Day, Passover, and Easter on consecutive weekends.

One important tradition of the Passover Seder is Elijah’s cup. Every year, we set out a glass of wine for the Prophet Elijah and open the front door to invite him in.  I remember Seders at my grandparents’ house when I was little. Elijah’s cup was always set at the kids’ table by the front door.

Since nobody is supposed to drink from Elijah’s cup, it’s mostly for show (and symbolism), so shouldn’t it look extra special? Why not have a little craft time to make a unique, beautiful, decorative cup to welcome Elijah to the Seder?

How you choose to decorate your cup is totally up to you! The one thing you’ll definitely need is a wine glass, either from a thrift store or dollar store (glass or plastic is fine). After that, you could use yarn, sequins, gems, tissue paper, stickers, paint, glitter, or anything else you can think of! Keep in mind whatever you use, you’ll probably need some glue or mod podge, paintbrushes, scissors and a flat workspace that can get a little messy. The best way to get glue on your wine glass is to use a paintbrush and paint it on. This will ensure an even, thin layer of glue that you can wrap yarn around, press tissue paper on, or sprinkle glitter over.

Take a look at these fabulous examples from some great blogs and feel free to click the source links for full tutorials.

Photo: She Knows

Photo: The Shiksa in the Kitchen

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For those who’ve been reading this blog for a while, you may remember how I sometimes see snacks in art. Well, call me crazy but there really are snacks in this art! Jelly Belly, the famous jellybean company decided that their tasty candy isn’t just for eating. It’s also for creating beautiful art!

Jelly Belly Candy Company commissions talented artists, such as Kristen Cumings, Malcolm West, and Peter Rocha, to create masterpieces entirely out of jellybeans. Some of these include already famous works of art, like the Mona Lisa originally by Leonardo da Vinci, Starry Night originally by Vincent Van Gogh, and American Gothic originally by Grant Wood. They also have portraits of pop culture icons and politicians, like Marilyn Monroe, Ronald Reagan, and Margaret Thatcher.

These impressive pieces are usually around 4 x 4 feet or 4 x 6 feet and can contain up to 12,000 jellybeans attached with spray adhesive. With Jelly Belly’s incredible variety of flavors, artists have so many options when matching shades and choosing color palettes. Consequently, these candy creations have a beautiful depth and precision worthy of a spot in any museum.

Want to get in on the sugar-filled creative action? Grab some jellybeans, glue, and cardboard and get started! It helps to give yourself an outline to work with (it will be covered by the beans anyway) and organize your colors a bit before starting. Or hey, why not make it entirely edible? Use some sort of baked good as your flat surface (a cake, brownie, or cupcake) and frosting as your adhesive.  This could be a perfect treat with Easter coming up. Yum!

The Starry Night by Kristen Cumings, original by Vincent van Gogh

Martin Luther King, Jr. by Peter Rocha

American Gothic by Kisten Cumings, original by Grant Wood

Here’s a fascinating  peek inside how artist Kristen Cumings works on her jellybean creations.

To check out more Jelly Belly art, take a look at their website gallery. Have you every tried making art with edible materials? What food or candy do you think would make great art supplies?

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Who’s ready for another dose of Scribblinspiration (get it?)?! Last time, we looked at some jellyfish to get the creativity flowing. Now for a change of pace, let’s try something a little more open-ended to prove inspiration can truly come from anything! Even something as simple as a pattern or type of fabric. Try brocade for example.

Brocade is a kind of fabric that dates back as far as the Early Middle Ages. It’s woven on a shuttle and is generally made with silk and gold or silver thread (it doesn’t technically have to have gold or silver, but it often does). What’s fun about brocade is it doesn’t always look the same as it’s managed to make its way around the world.  You can trace it all the way back to Byzantium and it was originally worn only by nobility, but many parts of the world put their spin on it, from China and Japan to Greece, France, and Italy.

Today, brocade is used for upholstery and drapes, formal clothing and costumes. Let your imagination run and see what this pattern inspires for you. Maybe the gorgeous flourishes take you somewhere abstract. Perhaps it brings to mind royalty from another time or a lavish ball with everyone dressed in their finest. Maybe all the silver and gold or rich jewel tones get you going—remember, even just the color scheme can serve as inspiration. I see flowers in many of the designs and that makes me thing of a fabulous garden. Since it’s a fabric, maybe it makes you want design your own costumes or modern outfits or even rooms inspired by brocade. For those of you crafty sewers out there, feel free to take the inspiration literally and try using brocade or something similar like damask or brocatelle to actually create something.

See? There really are a lot of possibilities, even with something as simple as fabric. Give your imagination the royal treatment and see what happens!

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